Showing posts with label Liam Sharp. Show all posts
Showing posts with label Liam Sharp. Show all posts

Sunday, 26 July 2015

From the Archive: It Came From Darkmoor's Marvel UK A to Z : B is for...

Returning after a slight delay this the second in a series republishing earlier entries from the It Came From Darkmoor archives.

The following article was first posted in July 2009. There has been one piece of additional information added (as you'll see when you reach the end of the article) and a little bit of reformatting to suit the modern shape of the blog, but otherwise it appears here pretty much as it did back then. Once again, I hope you enjoy it.



Welcome to the second of It Came from Darkmoor's Marvel UK A to Z columns. The intention of this column is to spotlight a few of the more obscure Marvel UK characters - the kind who are probably less likely to come up in conversation or whose overall contribution to Marvel UK has not yet been acknowledged by this Blog.

We continue, as I guess would only be sensible, with the letter B. And in this alphabetical series...



'B' is for BLOODSEED







Lysander Bloodseed, in fact. 

Or if not in fact then certainly at least in theory.

Bloodseed was the brain-child of former Marvel UK E-i-C Paul Neary, Death's Head II artist Liam Sharp, and Motormouth artist Cam Smith. As with other titles such as Mortigan Goth (A link for those with shorter memories) and Dances with Demons, Bloodseed was created for the somewhat short-lived Marvel UK sub-imprint of titles which went under the banner of Marvel Frontier Comics - a more adult orientated line of books which were more akin to DC's Vertigo line than to standard superhero comics. 

The aesthetic for Bloodseed is quite an interesting one. On the surface it does very much seem like a European-styled Fantasy comic, with the familiar presence of swords, monsters and magic. 






Bloodseed fights with a sword, he has magical healing powers, he battles fantasy monsters and giant ape-like brutes. You can see elements of Tarzan here, of Conan, of Marvel's Ka-Zar, pr other pulp adventure characters of this kind. It would not be out of place in a European fantasy anthlogy, and I do mean that in a positive manner.

It's also likewise relatively European in its attitude towards nudity. 

Yes, Bloodseed is fighting naked on that page, if that's something which you felt needed clarifying. 

There is also a heck of a lot female nudity throughout the book - something which would certainly not escape the attention of a teenager (and certainly didn't with this one) reading this book back in 1993. There are female naughty bits EVERYwhere! And frequently with very little attempt to cover them up.

But, by and large, it's not purely for titillation. It is plot driven nudity for the most part. When we join Lysander Bloodseed's story he is dragging his naked and only semi-conscious self through the snowy wastes of a planet he later discovers to be named Themax-2, trying to remember how it is that he came to be here, and perhaps more importantly who the hell he actually is. 






The answer to which (to his current mind, anyway) is that he is Lysander, Warrior-King of Elyssium, a Kingdom in the land of Utopia. Elyssium is a Warrior Nation, whose landscape looks like the Hanging Gardens of Babylon, where the men are built like Tarzan and the women built like porn-stars - all of whom appear to hold a fundamental distaste for the wearing of clothing. He rules as King, and Elyssa - a busty amazon type with flowing black hair and seemingly just as much distaste for clothing as the rest of her kin - is the loyal consort at his side. His one true love.

Sound just a little too good to be true? 

Well, you'd not be wrong. 

And how can he be King of Elyssium when a woman named Elyssa is also wandering the land, with the same set of memories, also believing herself to be the Queen of Elyssium? In her memories she rules Elyssium, with Lysander as her royal consort. And he's certainly not the Lysander we've already met...






The same memories, but two different people both believing them to be their own. 

The truth of course, is that these are all false memories - implanted visions of a past that seemingly never was. Despite seeming like a fantasy world, it is at least partly a façade. A fair amount of what Bloodseed has been seeing is revealed to be a holographic computer simulation. Part of a method for both controlling and testing him. 

He's actually the latest in a line of humanoids created by a company called "Gene-Corp" on behalf of an unnamed client. He's not the first, merely the latest in a production line of Bloodseeds, being tested for survival. As was another one-armed Bloodseed who Lysander later encounters, a dead test subject wearing the same armour as him which Elyssa stumbles upon, and in fact Elyssa herself.

Each Bloodseed appears to be 'birthed' out into the world, with these false memories in their head, and placed into a Darwin-esque scenario where they are expected to kill off the other test subjects. Each subject is a peak physical specimen, possessed of the ability to heal others by touch, some kind of telekinesis, and (if they reach the correct point in the program) they will be given a 'Helmet of Truth' a semi-sentient mask which allows the wearer to discern what is real from hologram. 

Lysander and Elyssa's progress in these trials eventually alerts the attention of Gene-Corp's Chief Engineer, who having convinced Lysander to remove his helmet (unfortunately triggering Elyssa's programming, and setting her trying to kill him) then contacted his client. And that's kind of the twist in this tale. Their client goes by the name of Lord Juno. And he comes from Earth. 

Only he's a dinosaur. A very eloquent, English speaking dinosaur.






Beyond that we know very little more.

Because, unfortunately, two issues complete issues of Bloodseed is pretty much all we got.

What does this all mean? Well that, I guess is purely open to your own interpretation. 

For my own part (and I'd add that this purely conjecture, here) I speculate the following:

Lord Juro can speak. Maybe, just maybe, he is part of some kind of super intelligent/super evolved race of Dinosaurs. From Earth, but who fled Earth just before whatever ice age/meteor strike/catastrophe actually brought about extinction of their lesser evolved kin. 

They used to hunt humans. For sport. And after thousands of years elsewhere in the galaxy they have decided that they missed doing that. That is something they used to enjoy. It's about time they brought that back.

As far as they know though, there are no more humans. They figure them to have been wiped out, along with everything else on Earth. How could anything have survived that ice age/meteorite/catastrophe? 

So as far as they know, that's an avenue they cannot go down.

Juro's people therefore approach Gene-Corp to rectify that. A gene-tailoring company on the other side of the galaxy, capable of growing them some humans to hunt. Selectively bred, peak of their physical condition, humans. Humans designed to give them a challenge.

Themax-2 is the test world for this enterprise. But it's only part of a grander plan. The first step in a much larger scheme. A plan being to return to, and repopulate, the Earth with new genetically engineered subjects just like Bloodseed, and then to use this planet as some kind of messed up dinosaur hunting reserve.

But as I say, that is only conjecture. The way I've thought it through in the past 20+ years.

In reality it's honestly hard to say what the actual plan for Bloodseed was. For all we know Lysander may have been returned to the modern day Marvel Universe? For all we know Elyssa would have killed Lysander and traveled back to Earth herself? Maybe there would even have been some explanation as to what that giant glove/claw Bloodseed is wearing on the cover of #2 was?






Is that a glove? Or is it his actual hand? It's hard to say.

I mean it looks like it could be made of the same materials as the helmet, but what if-?

But I digress.

While I get the feeling that there was actually a longer story planned out for Bloodseed we didn't get to read it. While it was initially planned as a four issue limited series it was cut down to just 2 issues by the time it saw print. Two issues and (what seemed to be) a Prologue tale in the Marvel Frontier Comics Special

All of the Frontier titles came out during the tail end days of Marvel UK, shortly before the US office closed things down and sold off parts of the business elsewhere. 

The promised second series never came to pass.

Bloodseed remains a character and a series which still holds a certain amount of interest for me. Compared to Liam Sharp's later work some of the artwork here does seem a little rough around the edges in places, but I do see some early roots of a later style in play here. And conceptually I do believe there was a decent story being taken through its paces in the two issues we got. There aren't enough series with these kind of European fantasy elements at Marvel these days. It's a great shame that we never got to see how it could have panned out.

Update: If you are curious about Bloodseed - or indeed any of the other Marvel Frontier books - then January 2016 might just be your lucky month. Earlier this week this week, as I sat down to prep this article, I was alerted to the following listing which had turned up on Amazon:


The UK store listing is without a description of the collection. However, on the US store page the following blurb on display:

A forgotten gem from Marvel UK is uncovered, dusted off and collected in its entirety for the first time! Who is Bloodseed? And what is his mission in a barbarian world of talking pterodactyls, giant lizards and remnants of technology from a long-lost civilization? Something is haunting author Sam Wantling's dreams - could he be a Child of the Voyager? Will James Owl survive his dance with demons when he discovers that he is the heir to a great Native American spirit?
COLLECTING: CHILDREN OF THE VOYAGER 1-4, DANCES WITH DEMONS 1-4, MORTIGAN GOTH: IMMORTALIS 1-4, BLOODSEED 1-2, MARVEL FRONTIER COMICS UNLIMITED 1

That's right. A complete collection of all the books which were put out under the banner of Marvel Frontier Comics. An unexpected release to have found its way into the wilds. Not least because this does actually appear to be a release from Marvel in the US. Most previous UK material has been reprinted by Panini Comics here in the UK.

I would definitely recommend this collection, based on that promised content. Having reread all of the Frontier books a few years back I can confirm that they actually have aged pretty well. These were the books which seemed to be defining the direction in which Marvel UK was trying to go in those later days for the Imprint. Doing something a little different. Darker and more serious tales within the Marvel Universe.

It's only a shame that it had to end when and where it did. 


'B' could also have stood for: 

The Battletide: A demonic gestalt entity, powered by the souls of fallen warriors, which tore its way through the universe. As seen in the mini series Battletide and Battletide II.

The Bane: The big, bad, adversary of the Knights of Pendragon and age old nemesis of the Green Knight. 

The Bacillicons: Digital analogues of human mercenaries brought into play to hunt down and kill Digitek, in the pages of his limited series.



Tuesday, 11 February 2014

Out Tomorrow: Revolutionary War - Death's Head II

Hi guys.

Just a quick post to remind you that tomorrow (12th January 2014) sees the release of the fourth Chapter of Revolutionary War. This time it's Death's Head II's turn, courtesy of Andy Lanning, Alan Cowsill and Nick Roche.

If you're interested the cover looks like this:




With a truly wonderful variant cover courtesy of DH II's co-creator Liam Sharp.





REVOLUTIONARY WAR: DEATH'S HEAD II #1
Cover by MARK BROOKS
Variant Cover by LIAM SHARP
Part 4 of "Revolutionary War"
• The long-awaited return of DEATH'S HEAD -- one of the biggest hits of the original Marvel UK!
• Death's Head! Death's Head II! On an adventure together for the first time EVER!
• What threat could be grave enough to bring these two heroes together from across time? How about the villainous Mys-Tech organization resurfacing with an army?!
32 PGS./ONE-SHOT/Rated T+ ...$3.99


There's a 3 page preview up at comic book resources. In which we see Captain Britain being returned 'home' of  sorts, to the Darkmoor Research Centre from Captain Britain #1. This issue has a number of promising factors in play, not least of which being BOTH Death's Heads.

So, go out and grab it! :)

And for the astute among you, yes, I know we're missing a Chapter 3 Summary. It's coming...

In the meanwhile enjoy this page from tomorrow's issue.










Sunday, 17 November 2013

Second month of Revolutionary War titles revealed with Marvel's February Solicits.

I had intended to post these up on Friday. But we've been away over the weekend, so you're getting them now... ;)

So, Marvel's February 2014 solicits are out, and this means that two more Revolutionary War one-shots have had covers and issue information revealed.

First up:





REVOLUTIONARY WAR: DEATH'S HEAD II #1
ANDY LANNING & ALAN COWSILL (W) • NICK ROCHE (A)
Cover by MARK BROOKS
Variant Cover by Liam Sharp
Part 4 of "Revolutionary War"
• The long-awaited return of DEATH'S HEAD -- one of the biggest hits of the original Marvel UK!
• Death's Head! Death's Head II! On an adventure together for the first time EVER!
• What threat could be grave enough to bring these two heroes together from across time? How about the villainous Mys-Tech organization resurfacing with an army?!
32 PGS./ONE-SHOT/Rated T+ ...$3.99


And another great Mark Brooks cover, there. I've mentioned before that THREE versions of Death's Head have been active in Marvel, recently. The version in Kieron Gillen's Iron Man series had recently gone MIA. But that still leaves TWO.

1) Death's Head II, last seen in the pages of Captain Britain & MI13.

and

2) A version of Death's Head I, stranded in the present in an issue of Avenging Spider-man.

Looking at the character designs shown on that cover I'd say there's a fair chance that's what we might be looking at here. Two versions of the same character from different points in their own personal timeline. Why hasn't somebody done this before?

And yes. MYS-TECH. Could they be Revolutionary War's Big Bad? We'll have to wait and see...

Secondly we have:






REVOLUTIONARY WAR: SUPERSOLDIERS #1
ROB WILLIAMS (W) • BRENT ANDERSON (A)
Cover by MARK BROOKS
Variant Cover by TBD
Part 5 of "Revolutionary War"
• Some of the most popular heroes of Marvel UK return for SUPERSOLDIERS – and where the Supersoldiers go, trouble isn't far behind!
• It's the Supersoldiers versus Mys-Tech in all-out war!
• When a vast army of Mys-Tech Psycho Wraiths come calling on a small Scottish town, it's up to the Supersoldiers to put them down for good!
32 PGS./ ONE-SHOT/Rated T+ ...$3.99


That's right. Super Soldiers.

It's been a while, but from memory I'm assuming that's Invincible (Joseph Hauer), the most focussed on Soldier front and centre. The big guy behind him is, without question, Gog (Owen Llewelyn) the highly modified Welsh guy with bionic eyes.

The other two? I'm figuring the red-headed guy on the left is Govnor (Andy Black) the little guy who could absorb kinetic energy and convert it into strength. The guy with the bandana? I'm not so sure. It might be Dalton. I guess we'll have to wait and see... :)

And yes. Psycho Wraiths. Remember them? A little MYS-TECH side project based out of an undisclosed part of the Scottish highlands, which were once activated by the board members to take down Dark Angel. I wonder whether there's been a few more of them sitting unactivated all these years? Just sitting in wait?

So yes, that's what we have coming up in February. Notice also, that when compared next to the 3 covers from January's solicits there is a clear sense of progression going on on the covers themselves, as the event progresses. Check out the flames on the Union Flag at the bottom of each issue's cover.  Absent in the Revolutionary War Alpha cover, creeping in on the base of the Dark Angel and Knights of Pendragon issues, and then far more prominent on both of these new issues. A nice touch.

You'll also notice that if you look back up to the Death's Head II one-shot above you'll see that DH2 co-creator Liam Sharp will be doing a variant cover for this one. The finished article is still under wraps, however Liam Sharp has put up a rough sketch of what we presume is that cover on his Facebook page.



 
 
 
 
Even as a rough sketch you've got to admit that looks pretty damn good. I cannot wait to see the finished article.


So there ya go, to more officially solicited issues. And as I've said before if you want to read them, go to your local comic book store and ask them to pit a copy by for you. By pre-ordering you'll make sure you get the book you want and you'll also let the store owner know that people are interested in the series.

You can't really go wrong with that.

Sunday, 14 December 2008

Crikey! Is it really mid-December?

Apparently so...

Hello, again. Remember me? I'm almost not sure I do, but then again I have been out of my mind with raging flu for the better part of a fortnight...

My greatest of apologies for the break in service. It certainly wasn't planned, and I'm hard pressed to believe that my last blog entry was in October. But I guess that the date stamps don't lie. Flu aside, I'm afraid that work commitments have made the last month a real hell-for-leather, nose-to-the-grindstone, affair. You see there's this thing coming up shortly ('Christmas' or something...)and as many of you may already be aware I work for a UK Videogames Publisher. And as this time of year arrives there's a high demand for Videogames, as gifts or as some6thing to do over the holidays (For those of us not old enough to do the Drink part of 'Eat, Drink and be Merry'.

We make games. (Hoorah!) But in order to get those games out of the machines in our offices and onto the shelves of your local Videogame store a lot of things have to be done. Mostly making sure that they work as designed, don't randomly stop working mid-game, and that the nice people at Sony, Microsoft and Nintendo are happy that they comply with all their own guidelines.

And that's actually a very time consuming process.

As a result the end of October through to start of December I pretty much worked myself into the ground with extra hours and weekend shifts, all for the greater good. And simply because of that this Blog had to go onto the back burner for a while. I've started a number of articles to post up, but haven't had the time to complete them. Hopefully, over the coming weeks I'll get all of that up on site. I've certainly got a fair few morsels prepped for the run up to Christmas, as well as something a bit special lined up for New Year. So watch this space...

So, I've been ill. If you live in the UK the chances are you have been too, as the annual December Flu Bug spreads itself out through the workforces of every company in Great Britain. I actually started this blog post two weeks ago, after my return from a few days in London seeing Coheed & Cambria (second night cancellation... Power cut... mumble) but staring at the screen was just a bit too taxing in my zombified state last week. So I sketched down the things I actually wanted to mention and decided to leave it until now.

Whilst down in London, in an unexpected turn of events, I bumped into Paul Cornell (Very nearly literally) in the Forbidden Planet Megastore, on Shaftesbury Avenue. I was buying myself a copy of Bryan Talbot's The Adventures of Luther Arkwright (Which along with Warren Ellis and D'Israeli's Lazarus Churchyard became my with-flu reading material) and he was just back from the States. Paul has been a very busy man recently (Convention appearances, writing, meetings) but he was very happy to admit that it was the 'Good kind of busy'. And he's even managed to get on top of things enough to deliver his annual 12 Blogs of Christmas. Go and take a look: http://paulcornell.blogspot.com/

On the subjects of Paul Cornell and Forbidden Planet, the man himself will also be signing copies of the British (Panini) trade paperback of the first four issues of Captain Britain & MI13, in the London Megastore (That's 179 Shaftesbury Avenue) on Thursday January 15th, between 6 and 7 pm. So any British readers who have been trade waiting? This is your chance. And if you're stateside, you can pre-order through Amazon and other sellers (Pre-order at Amazon).

Now's a good time to try and get into the book. #8 came out on Wednesday (Thursday in the UK) and was a particularly tight issue. The team are currently battling a self-proclaimed Prince of Hell who is slowly taking over Britain, from a Tower Block in Birmingham - gaining followers by offering them their 'Heart's Desire'. And sure MI13 may be the good guys, but even Superheroes are only human deep down. Even they have weak-spots. There's some preview art to sway you, over at Marvel.com: Captain Britain & MI13 #8

Both Paul Cornell and Leonard Kirk have been doing a splendid job on this series. It just has such a great mix of characters, interacting so well together, and even if I didn't need to read it for a Blog like this I'd STILL recommend it.

In other news, you may remember a little while ago I mentioned that former Marvel UK artist (And Death's Head II co-creator) Liam Sharp had signed an Exclusive Contract with DC Comics. Well, Liam's first project for them has been their Gears of War series, for DC's Wildstorm Imprint. And it's performing particularly well. It sold out twice in the UK.

Obviously from being inside the Videogames industry I already have a certain amount of interest in Gears, but this series (Written by Joshua Ortega) is actually a very enjoyable read. It fits in perfectly well within Gears' continuity, and Liam's art (He both pencils and inks this one) look really great. I'm sure you'll agree.




More examples can be found at Liam Sharp's DeviantART page: http://liamsharp.deviantart.com/gallery/

Stray thought back to my last Blog (The one about Death's Head connections in Nova #17) and I'm still thinking I'm on the right track. Like I said there had to be some way of Dr Evelyn Necker getting hold of the raw information on all of the Galaxy's greatest warriors and most important scientists through history. Since #17 we've found that she's not just had the opportunity for a short time in contact with the Nova Corps' 'Worldmind' - it's decided to make her offices and labs its new home!

Who knows, we might get Death's Head II turning up any year now. Never say never.

And finally, a bit of not so great (And apologetically belated) news.

The 3 & 4th of October this year was Mid-Ohio-Con, in Columbus, Ohio. A big deal for all Excalibur fans this year, as the Con re-united the respected Grandfather of all things Marvel UK, Chris Claremont, and long time collaborator Alan Davis. At Mid-Ohio Davis announced that The ClanDestine would be appearing as supporting characters in three annuals he would be doing for 2009 - One Fantastic Four, one Daredevil and one Wolverine annual. He also added that the Thor: Truth of History One Shot (Which came out at the end of October, but which I have not yet acquired) would "sort of leak" into those other stories.

More ClanDestine - Always good.

However, I discovered t the start of November that part of the reason for this appears to be, in Alan's own words (from a post he made to his own forum):

"The series didn’t sell well enough to justify a regular, or semi-regular, ClanDestine title. However, I’m currently working on three annuals for next year, FF, DD and Wolverine-- and though I can’t go into detail-- ClanDestine fans will not be disappointed (I hope)."

That is an incredible shame, and I for one am gutted that the book didn't pick up the numbers I would have expected it to.

Why that was the case is questionable, but I think part of the problem was that (in some ways) the series itself pretty much picked up directly from where Davis left off, in the 90s. You can quite easily join his final issue with the original series to the first issue of the limited - which creates a great story for those reading it as a whole (Especially those who picked up the hardcover released earlier in the year) but for those who'd never read the characters before I could see how they may have felt like they were missing something.

Davis did assure people at Mid-Ohio that:

"All of the ClanDestine stuff I've ever done has been to the same plan. All of the appearances go to that same long story".

Which is something which Davis has always maintained. Granted, it is a great shame that the story itself is now unlikely to be told in their own book, but as long as Alan gets the opportunity TO tell it I will most definitely be along for the ride.

I shall be trying to acquire me a copy of Thor One-Shot off eBay, and will report what I find when i do. In the meantime I'll be keeping an eye out for those Annuals as 2009 runs on. You can be sure that I'll post information up when the time comes.

Well, that's about it for now. It's late, I'm tired and a little post-viral blue. Hope you are all well. There will be another update by the middle of the week.

Oh, and if any of you are on Twitter I finally got around to signing up for that. You can bother me at: https://twitter.com/theswordisdrawn

Bye for now!

Mark (Sword)

Sunday, 31 August 2008

Who needs a Bullpen when you can have a Bulldog?

Greetings, once more, for another plod down memory lane in the world of Marvel UK.

Bear with me today. My PC's monitor has reached the ripe old age of 18 months. It's a Samsung flatscreen, which came bundled with my current machine when we purchased it. For over a year it functioned perfectly well, and we enjoyed many an evening viewing forums, resizing scans for this blog, and the occasional bout of trying to to make Nottingham Forest a world power on Football Manager (Heck, I can dream)...

But no longer. This happy affair has come to an end. I've been trying to post a blog on The Braddock family for over a week. But it seems that after every 45 minutes that the screen is on the bloody thing decides to switch itself into some kind of standby mode, and bounce a box around the screen telling me that the signal is not in "Optimum Mode" along with suggesting what resolution the screen should be in.

Coincidentally, that's the very resolution that Windows is already set to...

And it would seem I'm not alone: http://www.fixya.com/support/p455061-samsung_syncmaster_713bm_17_lcd_monitor

Most annoying. But it seems to work again if I switch it off for another forty minutes.

I think some lengthy Customer Services calls are in order.

But less of my moaning. Hopefully we'll get through this one in one go...

I'm sure that all readers of Marvel Comics out there will be familiar of the concept of the Marvel Bullpen, and the regular segment "Bullpen Bulletins" which appeared somewhere within each of Marvel's monthly titles. It was a 1 page segment of each issue which dedicated itself to telling the reader just what else was going on in Marvel's other titles that month, what else was on the horizon, maybe a profile of an artist or writer, and of course the legendary "Stan's Soapbox," in which Stan Lee would vent his spleen or simply talk shop on whatever he fancied that month.

(You don't get that, anymore. It's kind of been replaced, post 2000, by Joe Quesada's "Cup of Joe". No bad thing, just sayin'.)

Anyway, those used to turn up in Marvel UK imprint titles too. At least to begin with. But at some point in late 1993 these began to be replaced by the Bullpen's ingenious British Cousin - Bulldog Bulletins!

The format was effectively the same, but Bulldog Bulletins concentrated on the comings and goings at Marvel UK. And this was kind of cool, because it allowed Marvel UK to tailor the bulletin to focus on their titles and creators - which realistically was not likely to happen in the main US bulletin.

Over next few months I'm going to be tracking some of these down from my longbox and posting them up for folks to see. The first of these I've found today came from the October 1993 batch of Marvel UK titles (If we really want to nitpick, this one was in the back of Dark Angel #14) and is celebrating Marvel UK's 21st birthday (Click for a larger view).



As you can see this was very much from the 90s heyday of the imprint, with things going very well indeed. The photo at top right is of Marvel UK's former Offices in Arundel House. I can recall seeing a couple of the documentaries that were done on Marvel UK. There was a genuine buzz around it all - a real sense that British comics could compete in the American market - and as a plucky teenager I found myself thinking that this was genuinely the kind of place I wanted to work when I grew up. Sure, I couldn't draw to the kind of standard that these guys did (Much as though I wanted to, I couldn't master comic book art of this kind) but I had ideas - and thought I could write. Sadly, by the time I was leaving school Marvel UK had been gone almost a full year. I was gutted. ;D

I do believe that I saw the Opening Shot documentary. But sadly I've been unable to find any reference to it online, to date. That's really the kind of thing that somebody aught to stick up on YouTube if they had it on VHS somewhere.

I'm sure that none of you will have missed the staff profile at the bottom left - with a picture of a very young looking Mr Liam Sharp, hard at work. Now is it just me, or is anybody else picking up a very distinctive Conan vibe, there...? ;D

As you can see Marvel UK really were putting out a lot of titles there. Just count the numbers across the bottom - The established ongoings like Motormouth and Death's Head through to the start the Marvel Frontier Books (note to self: Must do a piece on Children of the Voyager). These were good times - Sharp, Abnett, Lanning, Larroca, Pacheco, all in one place. The very positive (At least from a fan's POV)expansion of the line, and it was looking good!

Such an incredible shame it had to come to an end :(

What are your memories of Marvel UK? Feel free to post them up or drop us a line. Monitor permitting I should have that other piece up by midweek.

Cheerio!

Sunday, 17 August 2008

ICFD Cover of the Week - 17th Aug 2008

This week's Cover of the Week we're returning to British shores with this little number from late on in the run of Marvel UK's Brtish published anthology title Overkill.



Overkill #50, from June 1994, is a splendid cover of Death's Head II and Tuck staring out over a field of skulls. It's a collaborative effort between the immense talents of Mr Liam Sharp and Mr Simon Bisley. Now THAT'S a pairing! And it's exactly the kind of reason that I started doing this feature. Overkill had so many great covers and possessed a tone which we certainly felt here in the UK, but I'm not sure translated entirely to American readers. It was grittier over here. Dirtier. But in the most enjoyable sense.

I find myself missing Death's Head and Tuck more and more by the year. I find it hard to believe that Marvel would opt for the reinvented Death's Head 3.0 in favour of this guy. He had so much more to offer. And offer it he would, for the right price...

Sunday, 3 February 2008

What a difference a week makes...

What a difference, indeed. Regular visitors will no doubt have noticed that the hit counter has been jumping up a bit these past few days. I've been lucky enough that a few people have started to find out about this place, and been kind enough to spread the word. From your comments on here and from the emails Ive been receiving from some of you we seem to be developing a bit of community here, and that's really good. The more people who remember Marvel UK, and the British Marvel characters, the better.

I had hoped to have a couple of blog pieces up this weekend, but a housing emergency has got in the way (I can't physically get to my comics boxes right now, to do some scanning...). So I though, instead I'd take the time to thank a few people for being part of this.

Firstly a big thank you to Paul Cornell. Those of you who are Doctor Who fans will probably already know who Paul is, but for those who don't he's also been doing a bit of work for Marvel Comics, writing the brilliant Wisdom mini-series from last year (Which showcased to British Marvel characters who really had been away too long) and a Young Avengers one-shot with the Vision which will be coming out soon.

He's a bloody nice bloke, and you can find his blog over here: http://paulcornell.blogspot.com/

I'd also like to thank John Freeman for sticking a link up on his site this week (http://www.downthetubes.net/) and Richard Starkings for posting up that Dragon's Claws artwork. These two guys were key to so many Marvel UK titles, and it's been really great to hear their perspective on some of these characters and the way that things used work back in the day. Thanks, guys.

While the comments are always welcome on site, I'd also like to thank all you guys who've emailed me over the past few weeks, with thanks and discussion. I received a very nice email from former Marvel UK artist Liam Sharp the other day, who's been nice enough to put a link to this blog up on his DeviantART and MySpace page. Thanks Liam, I really appreciate that. Anybody who loves Liam's art should really take a look at that art page, and look out for his work on DC's Lord Havoc and the Extremists and Testament.

http://liamsharp.deviantart.com/gallery/
http://www.myspace.com/liamrsharp

Since the blog went up I've had several request from people as to where they can find copies of the Mortigan Goth: Immortalis series, and other Marvel UK imprint titles. Your best bet is eBay, these days, or rooting around at your local comic book store. I picked up a lot of my gaps in runs through eBay a few years back. I had to (Somewhat ironically, get a lot of them shipped from the States) but I did find what I was looking for.

And finally a quick word of thanks to Thomas Wood - Your emails about Knights of Pendragon have got my mind brewing on a piece for them, as well. Thank you.

Hopefully, house problems sorted, I'll have a couple of updates up in the week. Until then thanks for your support, and don't be afraid to post a comment ;)

Mark

The Sword is Drawn.

Thursday, 24 January 2008

This was intended to be a short piece on Marvel UK 2nd Biggest Name. ;-)

While I still try to get around to putting up that Mortigan Goth piece I've been promising, I'd like to go a little off track and bring something else to the table. A character who - to me - is right there at the roots of Marvel UK, and was somebody I got to thinking about, again, when I chanced upon the DeviantART page of former Marvel UK artist (And modern day DC artist, of course) Liam Sharp. Now, while I suppose this really should have been saved for a future 'Who the Hell is?' feature (And maybe I will at some point) I wanted to share this with you while it was still fresh in my head. It all stems from a weird obsession I have with a character we haven't really seen properly in 15 years, but who I feel is almost as important to Marvel UK as Captain Britain - in terms of brand identity, anyway. An obsession which really began when I first read this:


Death's Head II #1, by Dan Abnett and Liam Sharp.

In terms of my own personal experiences with comics, this issue is a biggie for me. It's a biggie, because this was one of the first times I hated the shit out of a comic for what it had done to the character it dealt with. The cover says it all - They killed Death's Head! Like any other self-respecting kid of the 80s, here in the UK, I read the British Transformers comic, almost religiously. That was my first contact with Death's Head, in his original form, and I loved reading that guy. My favourite Transformers issues back then were the ones where DH turned up - Because he brought dry humour, and an array of interchangeable weaponry. The way he always ended his dialogue with a 'Yes?' in that way that wasn't a question, so much as a 'This is how things are, and you are going to be cool with them or you are going to be dead. Okay?'

How could you not love that?

And here he was DEAD!? I was one angry young kid that weekend! ;-)

So why rake this up, now, you might ask? If I genuinely hate it that much, why even talk about it? Do I just want to rant, here, or do I have an actual point to make?

Well, yes I do, and no - it's not a rant. Not at Death's Head II, anyway. I want to talk about Death's Head II, because this is one of those rare books where you might very well hate the shit out of it at a first reading but yet, in time, it becomes one of your favourite all time comics.

How? Well, I think that Sharp's artwork certainly did play a part here. I personally see Liam Sharp as being one of the most under-valued British comic book artists, around today (Certainly by Marvel), and his work throughout this series is great. It struck a balance between sci-fi and fantasy which fitted Death's Head perfectly, for the stories he and Abnett wanted to tell. But what impressed me the most about the series was what it was doing to Death's Head as a character. Because this wasn't the death of Death's Head - this was an evolution. And up to that point in my comics reading life I'd not really seen that done before.

The problem with Death's Head as he was was that he was very much a light relief character, from a very different kind of aesthetic to the mainstream Marvel Universe - which Transformers continuity is very much no longer considered to be part of. What Abnett and Sharp were doing by creating this new cyborg, and putting Death's Head into its body, was placing him in a form which not only fitted clearer with the way that the industry was changing back at start of the 90s, but also brought some interesting new elements to the character, which could fuel future stories. With the Transformers continuity becoming a potential copyright minefield, establishing new directions (Whilst also referencing DH's guest appearances and links to Iron Man, the Fantastic Four and She-Hulk) was probably the best way to go.

The change from Gun-arm to living metal weaponry arm might seem a little cliched since the 90s, but it did have a number of practical applications, and finding new ways to use it, to reconfigure it, provided plenty avenues for development. But by far the most interesting element, to me, was the psychological possibilities. This new body had been created by AIM (Advance Idea Mechanics - Marvel's technologically advanced bad guys) to assimilate the personalities of History's finest Warriors and Scientific minds. There were 107 of them swimming around in there, including Death's Head, but Reed Richards (Mr Fantastic) was able to stop the cyborg assimilating him, by forcing the cyborg to take Death's Head the primary personality. That saved Richards from execution, but it really wasn't that straight forward for Death's Head, himself. Here he was, technically in charge, but with 107 other schizophrenic voices screaming in his head, each fighting to knock him aside and seize control themselves (As, on occasion, they did). That, to me, made for a far more interesting character. He still had all the personality of his former self but with some more curious baggage to take along with him on his journeys through time and space.

Oh, yeah. And the new female assistant Tuck? Well, she was certainly aesthetically pleasing to a teenage boy, as well;-)

Of all the titles that the early 90s Marvel UK imprint put out Death's Head II was probably the most consistent, in my opinion. I stuck with it through that mini, then the ongoing series, right through to the unfinished Death's Head Gold - which showed such incredible promise. The concept of a character travelling through time and space, touching new characters but also embracing established Marvel characters, was a winning formula in my eyes - something we don't have out there anymore. And Liam Sharp's rendition of DH was the definitive look of the character, for me. Granted, a young Salvador Larocca did some great work on the last few issues of the ongoing series, but Sharp was the man. I'd so hoped that someday he and Abnett might bring the character back from limbo, and finish what they started with DH Gold - that Marvel would see a future for the character.

And that was part of what led me to Liam Sharp's DeviantART page ( http://liamsharp.deviantart.com/gallery/ ) . Going back almost a year ago now, I was doing a painful late night shift at work and found myself browsing the forums over at Millarworld, to pass time while I waited for some files to download, when Liam Sharp put a post up about something he had just tried to pitch to Marvel; a pitch which (unfortunately) had not been successful, under the name of 'Death's Heralds,' and the following image.



Liam basically told the few of us who were online at that late hour, and posting to that thread, that he wanted to sound a few people out about it. He also made a comment that he had been a little disappointed, from speaking to Marvel, just how few people actually remembered Death's Head. :( After talking with a few of us for forty odd minutes he eventually deleted the thread, basically telling us that he thought that some aspects of the pitch might yet be salvageable for pitching elsewhere, so he thought he'd probably keep it to himself for the time being. I could respect that. Luckily, if you are interested in seeing more of that image, Mr Sharp has posted it up on his DeviantART page, here: http://liamsharp.deviantart.com/art/Death-s-Head-reboot-pic-53360263

You'll also find another particularly interesting image from a different pitch, for a Death's Head for Marvel's Ultimate line. http://liamsharp.deviantart.com/art/Ultimate-Death-s-Head-46243797

I particularly like the more organic looking gun arm on this one. That's the kind of image of Death's Head I have in my mind; the menacing, emotionless, cyborg who only has to think of what he needs to do a job, and that arm blooms into exactly what he needs.

Looking over both these images, and also Sharp's artwork for DC's Lord Havok and The Extremists, two thoughts slide firmly into my head. Firstly, Marvel are idiots for letting Sharp slip into the hands of the Distinguished Competition ;-) and secondly I find myself despairing that Marvel could reject these pitches and yet PUT OUT Death's Head 3.0.

For those who don't know, back in 2005 Marvel.com ran a poll on their homepage for the next Marvel property to be revamped in the pages of the now defunct Amazing Fantasy. I was over the moon, because Death's Head was on the list! The original Death's Head, granted, but this really looked to be the big opportunity I'd been hoping for. DH won, with 49% of the vote; and while the competition wasn't that tough (Who the hell are Woodgod, The Aquarian and Texas Twister, anyway?) who cares? Death's Head was going back into print. And it would be the creator of the original Death's Head, Simon Furman, who would be writing it.

Surely, this was going to be great!

Or so I thought. This was the end result:


And frankly, I'm more than a little confused. Kind of the eyes of Death's Head 1, the wiring rasta-plaits of Death's Head 2, but no gun-arm? Or No morphing weapon-arm? The weapon arm is a fundamental rule of Death's Head. It's a big part of the character, just as much as the trademark style of speech, or the bounty hunting. To lose that isnt right.
Sadly, all three of those elements are missing from this incarnation. Heck, this Death's Head doesn't even speak, let alone add a 'Yes?' at the end of a sentence.
Sadder still, is that's not all that's missing. Sure, this machine was also build by AIM, and it can time travel, but as far as any genuine link to the original Death's Head goes? Well, there is none. This is really just a machine built by AIM which has somehow inherited the name.
And it's not alone, either. Just one of many units. There's a whole army of these things in the Marvel Comics Planet Hulk/World War Hulk storyline. To date they still haven't been adequately explained, either.

The bottom line is that there's certainly a demand for Death's Head out there - as the poll revealed - but this isn't him. We still don't really know what this is, in all honesty. I don't entirely blame Furman - maybe he chose not to reference the original Death's Head (as he was when he was left in limbo) or maybe Marvel's editors simply didn't want him to? I don't know.
But my problem is simple. As a story in its own right it's not bad, but as a continuation of the Death's Head brand I just don't feel like it fits. And that's a shame. I felt the same way about the Excalibur brand being given to an unrelated non-British X-Men team a few years ago, for the same reason.
The way I see it, people will always associate the name 'Death's Head' with the character who began in Transformers and who evolved into the Liam Sharp designed cyborg. That's the guy people want to see. That's the story people want to hear about.

It's been a long time, but I still live in hope that we'll see him again some day.