Showing posts with label Lew Stringer. Show all posts
Showing posts with label Lew Stringer. Show all posts

Monday, 13 July 2009

It Came from Darkmoor's Marvel UK A to Z : C is for...

Welcome to the second of It Came from Darkmoor's Marvel UK A to Z columns. The intention of this column is to spotlight a few of the more obscure Marvel UK characters - the kind who are probably less likely to come up in conversation or whose overall contribution to Marvel UK has not yet been acknowledged by this Blog.

We continue, as would only be sensible, with the letter C.

So far we've had a doppelgänger hero from the 70s, and an adult-orientated fantasy character from the 90s. Our next entry shifts tone a little. The guy in question began his life in the 1980s. And despite never having headlined his own title he actually appeared in print continuously (And on a weekly basis) for far longer than many of Marvel UK's more recognisable characters...

In our alphabetical series...

C is for COMBAT COLIN!




Combat Colin was the creation of Lew Stringer, who during the 80s was responsible for creating half (and later full) page comic strips for back-up pages in Marvel UK's licensed comic books. Forget the state-side 'Mini Marvels', or other tiny strips which occasionally turn up on modern Marvel letters pages.

Lew was doing these 20 years ago. And arguably better than they're done today.

These would usually appear inside the back cover, sharing half a page with the 'next issue...' panel or possibly somewhere in the middle of the issue. A light-hearted, but often quite clever mix of concepts and puns, which were tailored to match the title they were appearing in. Stringer had created Robo-Capers for the weekly Transformers comic. A strip which varied in content somewhat across its life.

It's chief focus was on the Alien King, King No-Nose, and his Robot inventor. But every once in a while it would do stand-alone strips such as 'Transformers That Didn't Make The Grade'...


Or explaining editorial changes, such as changing the 'host' of the letters page from Decepticon tape recorder Soundwave to big dumb Dinobot Grimlock.


The strip was incredibly popular, and helped to build up the Marvel UK house-style, which really loved to involve letters pages and other items in a fourth wall breaking manner, in the 80s. And so it was decided that Stringer should create a similar strip for the new Action Force weekly comic.

(NOTE: For any US readers asking themselves "What the hell was 'Action Force'?" perhaps the easiest answer would be to say "It was G.I. Joe". Although that's not strictly true. ACTION FORCE began its life as a spin-off smaller figure line of late 70s big-toy-of-the-moment ACTION MAN. It even had it's own continuity and comic book through another publisher (Battle). Hasbro later bought Action Force and used it as a way of getting G.I. Joe into the UK and Europe. Which was not easy. "G.I." was a non-transferable US Army rank, and meant nothing in Europe. And the phrase 'Average Joe' was an Americanism that certainly hadn't been embraced in Europe in the early 80s. Nevertheless, Hasbro bought the line and integrated it into G.I. Joe, eventually changing the name in the UK and Europe towards the end of its original lifespan.

Perhaps "Officer Cadet Smith" would have been a more suitable translation? Or even "Combat Colin"? But somehow I think Action Force is a bit more dramatic, don't you... ;D

If you want any more info on that, click here: Action Force toy line - Wikipedia)

Combat Colin (Or Colin Doobrey-Smiff, as it was claimed was his actual name) was the result, making his debut in Action Force Weekly #5. Stringer had originally planned to call him 'Dimbo' but Richard Starkings (Editor of Action Force, and often letterer too) suggested 'Combat Colin' as a more lasting name which would not date so quickly. And it was the perfect fit for a comic which reprinted US G.I. Joe strips alongside UK written back-ups.

The character of Colin was one of those odd guys you encounter every once in a while. The kind who are in their mid-thirties into forties, still live with their parents, and collect all kinds of military memorabilia as a hobby.

Collect.

And only collect.

Because, frankly there is NO WAY IN HELL they'd ever be let into the actual British Army. ;D


What a perfect antidote to the very serious strips appearing elsewhere in the book, with references to genuine war campaigns, Vietnam, etc...

Professional military vs military enthusiast.

Combat Colin's initial run started with some quite simple stand-alone half-page strips - building up to the pay-off of a final panel pun. But, as with Robo-Capers, it began to evolve into something a bit more complex. Along the way Colin acquired his side-kick, Semi-Automatic Steve, a short and bearded guy, whose dress sense seemed to have been inspired by Rambo.


Shortly followed by a move towards doing serialised strips, such as the fondly remembered 'One of our Milkmen is Missing' storyline.


Which also debuted Colin's first ongoing villain, Dr Nasty.

Sadly, Action Force weekly came to an end with issue 50. At that point the book went monthly, but this incarnation only lasted 15 issues before cancellation. At which point the US G.I. Joe stories, which had formed the lead story of Acton Force weekly, became the back up story in Transformers weekly.

And Combat Colin came along with them.

This did of course mean that Robo-Capers had to make way (Although, King No-Nose and his inventor did return for a one off crossover later into the run) but on the positive side allowed stringer to broaden Combat Colin's world, and pool of regular characters. Such as Semi-Automatic Steve's landlady, Mrs Frumpy,


Steve and Colin's delightful sometime dates, The Giggly Sisters,


Colin's Agent Roy L.T. Check, Sometime hindrance tabloid ace-reporter Headline Howard and even Combat Kate - Colin's representative for North of England.


And an increasing array of demented and ridiculous supervillains in his Rogues Gallery - from the diminutive Professor Madprof to the alien threat of The Brain.


On occasion some of these characters were even given the run of the strip, that week. Combat Kate had that honour one week, as did the Giggly Sisters, in the form of "The Giggly Sisters' NICE PAGE":


I particularly like the letters column ;)

And as the strip grew so did the page space it was given. Sometimes going into black and white for a while, but moving permanently from a half page at the back of the comic to a full pages in the middle. Serialised strips returned, sometimes growing quite epic in scale. And Colin was given a huge array of "Combat" Weapons, vehicles and Gadgets(Usually branded with a smiley face, with it's tongue sticking out) which he seemed to be able to produce at a moment's notice.


Many of these were later explained as being produced from his 'Combat Trousers' a gift from a visiting alien, and containing 'deep pockets', like a veritable pocket universe of storage space:


The stories also branched out in subject matter, exploring slightly bigger concepts, from obsessed criminal fans, to evil robot doppelgängers, to adventures through space, and time.

Entire stories were dedicated to such bizarre concepts as "Combat Rhyming Slang"


Which came complete with a phrase-list at the start of the story. Or "Combat Code" complete with decoder. Combat Code was, in fact, just a reversed alphabet, but even after the strip in question occasionally you'd come across the odd caption in 'Code'.


The strip was even used to explain away editorial mistakes...


Combat Colin had found his niche. ;D

And it thrived, toying with sci-fi concepts, superhero concepts, and throwing in pop culture references which doubtless went high above some of its younger reader's heads, but for those teen readers with a little more smarts about them they appreciated them. Nice touches like plastering over exploding brains with a picture of Kylie Minogue, or an editorial note in a 1960s flashback telling kids that

"*Note: This tale is set in the 1960's, when 75% of Boys were named 'Ringo,' after the great Pop Legend, Ringo McBingo. (Honest! Ask your parents!)"

And I'd love to know just how many young kids genuinely DID that!

But by far the biggest Pop Culture reference came in the form of the multi part storyline "Prisoners of the Place of No Return," in which Colin and Steve found themselves stuck in what looked suspiciously like (i.e. it WAS) the small village from TV series The Prisoner. Trapped there, at the will of all their many villains, amongst a number of Stringer's other characters who had been 'Retired' to this place.


Readers of Image Comics' Elephantmen will recognise Brickman on the end there...

The likelihood of any of the kids reading it being aware that the whole story was a Prisoner parody (Or of their having ever heard of The Prisoner, for that matter) were pretty slim. But that's certainly what it was. And a pretty good homage, too.

(And if anybody feels that they want to get hold of that story, it was collected a few years ago in Lew Stringer's "Brickman Begins!" (ISBN-10: 0974056782) where it was renamed as "Village of the Doomed".


Of course, back in the late 1980s Transformers was Marvel UK's flagship title. And while I'm not going to claim that Combat Colin was indispensable to the title, I do feel that from that one page weekly strip it actually did play a quite important part in the reinforcing of the Marvel UK tone and house feel. No matter how daft the stories were they were part OF a bigger picture.


Not just in cod publicity like that, though. It helped give this bizarre collection of licensed property books a common connection. And indeed a common connection with the greater Marvel Universe as well.

This was the late 80s. Marvel UK weren't reprinting US Superhero books with that great an ongoing regularity. But here in Combat Colin you were having occasional glimpses of Spider-man, references to other Marvel Heroes (Even if it was through analogue characters like Dr Peter Peculiar), mentions of Drawing Comics the Marvel Way and the like. At this time Combat Colin really WAS an ambassador for Marvel.

Heck, he even went up against Doctor Doom!


It was all very inclusive, as the Marvel UK line was in general, at that point.

And you never knew which Marvel character would make an appearance at the Combat Christmas Party:


Got to love the Hulk in that final panel! ;D

Sadly, much as though many people out there felt that no Marvel UK book was complete without a Lew Stringer strip in there, things changed in 1991. Marvel UK was wanting to push towards a more serious house style - the kind which could compete with 2000 AD. And as part of those inner changes Humour strips were dropped. Which I have always felt was an incredible shame.

That was the end of Combat Colin. At Marvel, anyway.

Marvel UK did at least transfer the rights of Combat Colin, and his direct circle of characters, to Stringer. Sure, the stuff tied directly into Transformers and Marvel is always going to be tied to Hasbro or Marvel. But it is through that creator ownership that the character has survived.

Earlier I mentioned Richard Starkings' Elephantmen, which is put out by Image comics. Well, through the Brickman strip which Lew Stringer has been doing as a back-up strip in that book Combat Colin has been resurrected.

As Lew Stringer recently announced on his own Blog:

COMBAT COLIN IS BRICKMAN!

I would recommend that Blog, too. Stringer does a huge amount of work discussing British Comics, in all their forms, as well as posting up photos from Conventions in the 80s and the like. It's a great site to visit.

As for Combat Colin? I will always see him as an ambassador for a better time in comics. A time where Transformers, Death's Head, Knights of Pendragon and Doctor Who could all be mentioned in the same sentence as Captain America, Spider-man and the X-Men. They were all part of the same family, and Colin was some kind of older brother who liked to remind us all of the importance of the Marvel family, whilst subtly undermining it with a truly terrible pun or two.

I'd love to see a proper collection done some day. But due to its ties with Hasbro's products and Marvel's characters I doubt we'll ever see a complete collection see the light of day.

I'm very glad that he's still around, and I'm glad Lew Stringer is still producing new material, too.

It's Marvel's loss. It really is.


'C' could also have stood for:

Captain Britain - But that would have been far too obvious...

I'd rather go with his alternates:

Captain Granbretan - From Captain Britain (Vol.2) #13, and written by Grant Morrison.

or

Captain Airstrip One - Created by Alan Moore, from an Earth similar to George Orwell's "1984" (You can read the solo story Moore wrote for him Here.)

Charnel - An alternative Baron Strucker merged with the body of the original Death's Head, into a deadly cyber-organic magic entity.

Adam Crown - The spirit of King Arthur reborn in the body of teenage waster. Leading light of the Knights of Pendragon.



Next Week: Well, 'D' surprisingly... ;D

Sunday, 8 March 2009

It Came From Darkmoor UPDATE - Cameos, Blogs and possible a lot of NEW STUFF!

And I'm back.

And yes, this one is long overdue.

So welcome to a bumper 'All the the stuff I've been meaning to post' edition of It Came From Darkmoor. I'd like to begin by showing you a few of the places that you can (or at least in some cases will) be able to find some appearances of Marvel UK's finest - at present and within the coming months.

I'll kick that off with an X-Men title, of sorts - Chris Claremont's final issue of New eXiles. I have to admit my loyalty has floundered a little on this book. at least one regular cast member I am very much invested in, but the series just hasn't managed to capture the magic of Judd Winnick's original series. The book is actually getting rebooted with a new #1, a new cast and Jeff Parker taking over writing duties very shortly. But I picked up the final issue to see what had been going on, and the implication of what this strange status quo might have on Marvel's multiverse. And as luck would have it I was greeted by a surprising little cameo from one of Marvel UK's best known faces:


And no, it's not Psylocke. She's been there since late on into the last run of eXiles. For those unaware of the set-up, all of those TVs in there show glimpses from other dimensions in Marvel's multiverse. Take a closer look at that top screen:


That's right, folks. A sound little cameo by none other than Death's Head! Who'd have thought. Sure it's an alternate Earth (So it probably isn't OUR Death's Head) but us fans of the horned and metal-plated one must take what little we can get...

Major Kudos to Mr Claremont and New eXiles artist Tim Seeley for that little cameo.

I'm on a real Death's Head kick right now. I'm currently working on some issue summaries of the original DH series for Comixfan (I'll post up some links when they're all done an on site) and have been having a lot of fun re-reading those issues in, which I recently picked up again in the form of the two Panini trades.

It was about the time I had begun reading the second volume time that Simon Hall emailed me a scan of this advert he'd found, while reading through a copy of Knights of Pendragon, for a much earlier attempt at a Death's Head trade collection:



Thanks greatly for that, Simon. I love this advert. It captures the tone of the series and the character so well. The trade itself was kind of a 'Best of' Death's Head. It didn't include the whole lot, but it did have some interviews and early art examples in it. Simon Furman, however, was never quite happy with the volume. In the introduction to the second Panini trade he says:

"It's taken 20 years to get Death's Head collected. Complete. Properly. It's not for want of trying though. Back in 1990, Marvel (UK) gathered together selected chunks of the original 10-issue series under the title The Life and Times of Death's Head. However, much (indeed, whole issues) was omitted for the sake of the 146 pages allotted to that slender volume, and the result was rather unsatisfying (to me at least). A better stab at reprinting/repackaging the Death's Head series came with The Incomplete Death's Head. This 12-issue maxi-series, published throughout 1993, was essentially a reprint title, but with new originated/linking segments featuring DH's successor Death's Head II. All in all, it did a pretty good job of gathering DH's various appearances and stringing the together into a new narrative, but it wasn't a collected edition, and it was, indeed, incomplete"
.

And he's right. It is. I am so incredibly glad that Panini have now collected it all. It's long overdue.

I would say though, to all Death's Head completists out there, that if you can get your hands on the 12 issues of The Incomplete Death's Head I'd certainly recommend it. It genuinely does, through adding the new linking bits of material, make the original run (and some of those guest appearances) into a whole new separate story. It's kind of weird, but also kind of cool as well.

In same introduction to that second volume Furman also mentions the following:

"In 1992, a new Death's Head series, written by myself and with art by Geoff Senior, was begun (in terms of the creative processes of script and art ) and then abruptly canned in favour of a complete reinvention of the character as Death's Head II. New Marvel UK editor-in-chief Paul Neary arrived with a new broom and the intended series went out with the trash. Oh, how I wish I still had some of the amazing art Geoff (Senior) had delivered up to that point!"


Now I recall Mr Furman mentioning mentioning this upcoming series (I believe it was a limited series at that point) in a mocked up interview with himself and Death's Head, for Death's Head: The Body in Question. I'm a huge Death's Head II fan, as I'm sure you're no doubt aware by now, but there's still a big part of me which would have loved to have known more about what Simon and Geoff had planned. After The Body in Question, in many ways Death's Head felt to have completed his current cycle, but I'm sure they must have had some other kind of specific direction to take him down. we can only speculate as to what that might have been...

The next cameo on the list is one which has been mentioned before...

A little while ago I blogged that Captain Britain and MI13 were to get their first appearance outside of their own title, in the pages of Dan Slott's Mighty Avengers #22. Well, for those of you who might have missed said appearance, it kind of looked something like this:



So yes, it really is a cameo. A quickie appearance from Cap, Spitfire and the Black Knight, along with several other Marvel heroes (She-Hulk, some of JMS's The Twelve and some of Parker's Agents of Atlas?) from around the world, used here to convey the scale of bad stuff happening. And that's a good thing. Any appearance by the team in a top tier title is a good advert for the book.

Back over in the book itself though we've been having a reappearance of another ghost from the past. While not technically a Marvel UK property, they certainly are British. And as can be seen in in this page from Captain Britain & MI13 #10, they've come to pay Spitfire a visit.



For the uninitiated, that fella goes by the name of Kenneth Crichton. And yes, he is indeed Spitfire's son. But you may know him better by the name he assumed the last time he was in comics. Kenneth Crichton is a vampire. He was the second Baron Blood.

Those who read the Ben Raab/John Cassaday Union Jack series a few years back will know what befell him. An extreme case of death by sunlight. But this book has Blade on the team, and in his last ongoing series the Vampire Hunter made a bit of a mistake. A mistake which brought an awful lot of Vampires back from the dead.

Kenneth along with them.

Just when things started to look rosy for Spitfire, too. Talk about complications...

We'll have to wait and see where Paul Cornell goes with Kenneth's resurrection when the next issue of Captain Britain & MI13 hits shelves on Wednesday (Thursday in the UK). But one thing is for sure he won't be the only British character making an appearance. Union Jack will be turning up again but Paul also let out some very interesting news in an interview he did for Newsarama whilst at New York Comicon (
http://www.newsarama.com/comics/020911-Nine-Cornella.html
):

NRAMA: With Marvel's history with UK comics, including a Marvel UK imprint at one point, do you see yourself tapping more into those older comics for future issues?

PC: Just wait two issues, my friend.

NRAMA: Maybe my favorite Marvel UK title, Knights of the Pendragon?

PC: Of course. The Green Knight already popped up, and we're also thinking about using Tangerine. And there's also an upcoming appearance by Motormouth and Killpower; do you remember them?

NRAMA: Yes, of course. Some early great artwork by Gary Frank on those books.

PC: Yes, well they're going to be coming up soon. The way I see it, all of the British superheroes work for MI:13 in a defacto way so there's a way we can have them all pop up. In this upcoming story, Motormouth and Killpower are on duty when something terrible happens and the team is brought it.

I love being free to do this kind of stuff.


So... firstly, the possibility of Tangerine will certainly please old Excalibur fans. I've certainly championed her cause in the past (Who the Hell is Tangerine?) so that's certainly something I approve of.

But the bigger deal for the Marvel UK faithful is hearing those two names for the first time in so long... "Motormouth and Killpower"!

Now, for those who missed the imprint years you may know these two better from an appearance they made in Peter David’s Hulk run from the 90s. There again they were being drawn by the brilliant Gary Frank. But Motormouth and Killpower were one of Marvel UK’s original ongoing series. Created by Paul Neary, Graham Marks and Gary Frank the book began as ‘The Indescribable Motormouth’ but soon added Killpower’s name to the title when it was clear that he was going to be playing just as big a role in the series.



Harley “Motormouth” Davis and Julius “Killpower” Mullarkey were big players in the 90s imprint. Harley’s powers are sonic. She picked them up via a bit of quirky technology she picked up in another dimension, and a bit of tinkering from her partner. She had these shoes she kind of stole from Mys-Tech, which allowed her to slide between dimensions. She also had a talent for the kind of colourful language which would make a sailor blush. Couple that with her sonic abilities and… well, I’m sure you can imagine.



So yeah, Harley is a little bit like what the X-Men’s Banshee or DC’s Black Canary would be like - if they had a ‘potty mouth’. But that low vibration humming sure comes in handy.

Julius on the other hand was a test subject, grown by Mys-Tech’s Oonah Mullarkey in a lab. He’s a mish-mash of human and animal DNA, conditioned and programmed and artificially age. The result is that he’s super-strong, takes a lot of damage, has a natural flair for using pretty much and technology or firearm he can get his hands on... but he’s still kind of got the mentality of a child. For example, it was Julius who configured the technology in Harley’s throat to produce that sonic scream, but often thrown into a combat situation he often sees it as a bit of a game – prompting his trademark war cry of “It’s a Turkey Shoot!!!”.



They remain two of my favourite Marvel UK characters. Always fun to read, and an interesting dynamic. After all, there’s not many female heroes out there who have a male sidekick. I’m looking forward to this. $%^& me. It could be %^&£^%£ fantastic.

Some of you may recall a post I made a few months ago, during the Secret Invasion issues of Nova (Link). Well, since then Dr Evelyn Necker appears to have become very much a permanent fixture at Project PEGASUS. So much so that she actually made appearances in TWO books this month. Firstly in CB Cebulski’s War of Kings: Darkhawk #1:



Darkhawk, you see, is also on the payroll at PEGASUS - in Security. Necker’s appearance is quite brief, granted, but it’s great to see her presence noted outside of Nova, by another writer. All good exposure.

Even if it doesn’t end so well…



Evelyn gets a far better run out in Abnett and Lanning’s Nova #22, where she is slightly more central to the plot. For those who are unaware, at the end of #21 the Worldmind decided that Richard Rider was mentally unfit to be Nova Prime after he disagreed with some of its quirkier decisions, of late, and took away his powers. This issue finds Richard consulting the powers that be at Project PEGASUS to give him the once over, and verify whether or not the Worldmind has a point.



Robbie Rider, Richie’s younger brother, was recently made a Nova Centurion himself, during one of the Worldmind’s more dubious decisions, and Richie wants to talk to him. But without the Worldmind intervening. How do you convince Robbie to come out of range of the Worldmind? How about one of the oldest tricks in the book?



I think it great that Necker seems to be becoming a regular character in the MU. There are so many Marvel UK characters who have been lying around unused for just too long. And of course the ceaseless fan in me will always hope that her continued presence will some day lead to a Death’s Head II revival.

Hey, I can dream… ;D

Abnett and Lanning continue to do a great job with this book. I actually picked up the hardcover of the first year of Nova, a couple of weeks ago, to fill in the gaps of issues I missed.

On the subject of Dan Abnett, the man himself made a very interesting comment on his Blog last week.

“Speaking of trades, I hear the first nine or so issues of the Knights of Pendragon, an eco-superhero-Arthurian comic from the early nineties, is also about to be collected. Co-created with John Tomlinson, Steve White and Gary Erskine, and co-written by me and John, it remains a high water mark in my output, and is one of the first major things I did. People still ask me about the series.”

And with good reason. That first volume was a particularly strong run. The interweaving of myth and legend with a modern (Well, late 80s/early 90s) setting was great. The image of Adam Crown, this waster guy from East London, propelled towards becoming a new Arthur by magical intervention, that scrap metal sword rising from a canal, travelling across reservoirs rather than lakes – it was all a really strong urban spin on an old legend. I’m amazed that it hasn’t been revived in some form or other, by now.

A collection is very long overdue. Me Abnett does not say who is collecting it, but following on fro Dragon’s Claws I think there’s a fair chance it’s likely to be Panini. I’ll let you know more as soon as I do.

Thanks to Mark Jarvis for Twittering me that link to Dan’s Blog last week. I had not been there before. Some interesting information there about Abnett’s Marvel work, and his other projects (such as his Warhammer 40K work). Certainly worth a look in.

You can find it here: http://theprimaryclone.blogspot.com/

And while we’re on the subject of other Blogs you might like to visit, I recently discovered Lew Stringer’s blog ‘Blimey! It’s another Blog about Comics!’. Many of you will remember Lew as the guy behind the best of Marvel’s back up comic strips, up until the turn of the 90s. He was responsible for Robo-Capers and the frankly legendary Combat Colin. I miss those strips a heck of a lot. Forget Marvel US’s Mini Marvels, Lew was drawing strips full of in-jokes, satire and fun, set within Marvel’s context, decades before those strips were showing up in US titles. I still have a large number of Combat Colin strips filed away in a folder, at home, saved when my parents insisted I chucked out most of my Transformers comics, when I was in my teens (Heresy, I know!).

Lew’s blog deals with pretty much everything to do with British published comics, old and new. It’s got some really good articles on books from the past, and some really nice insights from a guy who’s worked on so many different titles, and comics’ brands. It’s updated fairly regularly, and I’d strongly recommend a visit to anybody who’s big on nostalgia or just wants to see some examples of how different British comics are to those of our American cousins.

Have a look: http://lewstringer.blogspot.com/

Right. Well that’s almost it for this update, However, as many of will already be aware tomorrow (or Thursday here in the UK) a certain British set title comes out from Marvel Comics.

That’s right, it’s CAP WEDNESDAY, again!

And to celebrate the publishing of Captain Britain & MI13 #11 I’ve done another banner to tie in with its release. Once again, there’s a standard sized and a smaller variant (For sites which restrict size a little more). This one’s intended a little bit as a ‘Previously On…’ and as I can’t post animated Gifs on hear easily, here’s a breakdown of what it looks like.


And here’s where you can find them (Feel free to spread the word in your forum signatures):

Standard Size:Here

And

Smaller Size: Here

This issue is the first part proper of the Vampire State arc, in which Dracula has decided to claim Britain as a homeland for ‘his people’.
You know. His people with sharp teeth and pale skin, who don’t get out a lot in the hours of daylight? Yeah. Bad news for the general populace of Great Britain. Last issue Vlad Tepes (To use his real name) launched his assault by trying to eliminate the members of MI13, with a couple of co-ordinated missile attacks. Not just any missiles though. VAMPIRE missiles.

I kid you not. :D

#11 picks up right where #10 left off. If you’re interested in seeing some preview pages you can find them here:

Captain Britain & Mi13 #11 preview at CBR

Now, GO BUY IT!

That’s all, for now. As always, if you have any questions, thoughts or comments, feel free to add them to this post or send me an email at theswordisdrawn@googlemail.com . I’m always glad to hear from a fellow fan.

You can also follow me on Twitter, as this seems to be the done thing now.
There’s a link on the right hand side of the page.

Until the next time…

Mark
(Sword)