Showing posts with label Kieron Gillen. Show all posts
Showing posts with label Kieron Gillen. Show all posts

Sunday, 26 January 2014

Revolutionary War: Dark Angel - Some Thoughts & Theories

Hi guys.

Other pursuits have delayed me getting this article out this week. My Bad, but it's finally here. A few days ahead of the third chapter in the story, Revolutionary War: Knights of Pendragon. I've seen the preview. And that is looking like something rather special. But before it arrives, let's take a moment to catch up on the previous issue. Here are few thoughts and theories on Chapter Two.

Right. So here we are, again. This time courtesy of Kieron Gillen and Dietrich Smith - Revolutionary War: Dark Angel. And I'll be honest, while the last issue set the quality bar pretty high I'm glad to say that this one very neatly matched it. Not just through serving as a continuation of the story, but also as an individual issue in its own right.

Kieron Gillen has built somewhat of a reputation over recent years, for telling some intricate and rather clever stories at Marvel, involving magic, myth and legend, with a strong internal logic and a central message behind them. Firstly on Thor, but in particular in telling Kid Loki's story on Journey into Mystery. Anybody who read the 'Manchester Gods' arc of that story (which featured Captain Britain and focused on the logical application of the mechanics of Otherworld) will know what I mean.

I'm very glad to say that he delivers once again .

I was really impressed by Dietrich Smith's artwork too. I'll be honest, before seeing his name in the solicits and looking him up I knew pretty much nothing about him. I see that he's mostly done bits and bobs of indie work, and worked on the Battlestar Galactica comic for Dynamite, but there wasn't an awful lot to go on. His artwork here fits the tone of both the character, setting and story incredibly well. It reminds me a little of Chris Samnee's art on books like Thor: The Mighty Avenger. The art may initially look rather uncomplicated at a glance, but it actually has an awful lot of detail to it. Ruth Redmond's colours compliment the art work very well. They keep it looking very clean, but give it depth where it matters - such as the outlines of energy pulses and portals.

Really good stuff.

But what does the issue offer in way of story, I hear you ask. Well, here are a few little thoughts and theories...

So Dark Angel survived the last issue, then?

Yes, she did. Whatever electrocuted her (and I'd say Death's Head II is a strong contender for 'culprit' there) appears to have done little more than render her unconscious. She awakes in this issue to find herself on the floor of the same room she was in at the end of Revolutionary War: Alpha.

Who the hell is 'Shevaun Hadley'?!?

You read the primer page, didn't you?




No. Shevaun has not changed her name. Nor has she (at least that we know of) had some kind of off-panel marriage to Spandau Ballet's Tony Hadley. It's 'Haldane'. Which is how it correctly appears throughout the rest of the issue. This is thankfully just an editorial slip up. :)

So what about Captain Britain and Death's Head II???

Patience, reader. They are long gone, it seems. But the means of their exiting the scene appears fairly clear.




I'm sure we'll return to them in the Death's Head issue...

Meet Doris - Darkmoor resident, reader of tea leaves and casual magician.

Yes. She's new. It would be best to describe her as a bit of a local busy-body, with a very wry sense of humour and a relaxed attitude.




A magician... 'of sorts'. I mean we don't actually see her doing any magic per se, in this issue. It certainly sounds as if she owns a shop which caters to that, but in the practice of it I don't think we can really say that this counts...




Effective though a shotgun is... :)

Doris is a welcome addition to Dark Angel's supporting cast (which after all, was not huge in number in the first place). She gets to make some snarky comments, sure, but her true strength here is that she gives the story a down to earth perspective. A lot of Shevaun's dialogue is a little complex, a little wordy - as it should be with the concepts she deals with in her world. Doris' no nonsense attitude to everything balances things out nicely. So many scene stealing phrases, too.




I really hope that if we do get to see more Dark Angel material we'll also get to see more of her. 

What's that about a vision?

Ah, yes. Apparently while Shevaun was out cold she had a vision.




A woman made of electronic parts, rising from a grave. 

We'll return to that shortly...

Kieron Gillen pretty much covers everything you need to know about Dark Angel's origins in the course of one page.

Yes. No messing about, here. No long winded pages of exposition and backstory. One page summarising pretty much everything you might need to know. This one, in fact.




Pretty concise. And it means that it doesn't dominate the issue. It's out of the way early.

Wait a second... did they just tweak Dark Angel's origin...?

Well... yeah. Yes, they did. Those of you who can remember back to 1992 may remember how these events unfolded the first time around. But for the rest of you, it all began with Shevaun's father Ranulph Haldane - a member of the Mys-Tech board - who had constructed a process and device which was going to be capable of granting him and his cronies continued immortality, separate from the boon offered to them by that centuries old contract with the demon Mephisto. 

Only Mephisto found out. 

It didn't work out well for Ranulph.




After his death Mephisto claimed Ranulph's soul. Which was a bit awkward when another, more saintly entity, calling itself 'the Darkangel' arrived attempting to do the same. It informed Shevaun of her father's secrets, for the first time.




And while Shevaun initially rejected what it told her, when she met the Darkangel for a second time (planning to extract revenge on her Father's colleagues) the entity took a strong of fibre from the very universe itself, and bonded it to her, body and soul.




Thus becoming the Darkangel's envoy, with the same kind of incredible power Gillen's page describes, above...

But shouldn't we be hacked off about this??

Well, I cannot tell you each how you should personally feel about it. But I'd actually lean towards the side of 'No' on this one. 

Let me explain why.

For one this 'Darkangel' entity has never reappeared or even been referred to in a Marvel comic since. Not in Dark Angel's own series, or in the wider Marvel universe as a whole. It's not like it would be particularly missed. 

But, that aside, there's the name too. When Dark Angel's series was launched in '92 it was actually named "Hell's Angel". As was she after this transformation. The title had its name altered with issue 6 due (as I understand it) to the threat of legal action from members of a certain Biker Chapter of the same name. :)

As 'Hell's Angel', an envoy or agent of the 'Darkangel', that kind of scans okay. But having two virtually identically named characters on the same book is more than a little confusing. The name change was always a bit of an awkward transition, and as it was never really necessary to refer to it again after the first issue it's no real loss.

What Gillen has done is to write around all of that - now telling us that Shevaun's powers were always part of her father's plan for her. That he was in some way instrumental in her gaining them. 

Some might see that as a dramatic change, but it is not as if such an idea wasn't actually foreshadowed in Shevaun's original series. There was more than one occasion where it was stated that Shevaun had been brought into the world as part of a former Mys-Tech science project. A test subject who was intended to be terminated, but whom Ranulph Haldane found ways to keep around.  

It was actually mentioned as early as her very first issue:




So what's Dark Angel been up to since her appearance in Captain Britain & MI13? Where has she been? 

And that's the really interesting part...

One might wonder, what with the kind of power levels Dark Angel has at her disposal, why hasn't she been appearing in Marvel's bigger stories - fighting the good fight, alongside the other heavy hitters. She's a powerhouse. Where has she been?

Well, it seems that Shevaun has been kept busy. By a higher (or should that be lower?) power...




Yes. That would be Mephisto.

And this is the clever part. Because, remember, Shevaun's father signed a contract with Mephisto? A centuries old legal agreement with the Devil himself? Well, with his betrayal and subsequent death, Mehisto has chosen to pass that Debt on from Father to daughter...

Yeah. That's got to suck pretty hard hasn't it?

Shevaun now gets to spend every evening serving Mephisto to repay her father's debt. Doing whatever he should wish. From quelling minor uprisings in Mephisto's domain to making the Demon bleed for His own Sins. Really.

The problem is that in order to do all these things it also means Shevaun has to expel some power. Quite a lot of it to be exact. When Dark Angel gets back to Earth 616 she can't buddy up with the likes of the X-Men or Captain Britain. Because she often has to wait for her powers to recharge.

You know, almost as if that is that was EXACTLY what Mephisto had planned in advance. :)

In the past few years, of course, Mephisto has been appearing in a number of different marvel series. Spider-man, X-Factor, New Mutants, Journey into Mystery... he's becoming a frequently more visited character. So Gillen placing Dark Angel squarely in his control is a great idea for future story options. It's not without foreshadowing, either. Way back in her own series Mephisto was shown taking an interest in Shevaun.





I think you could quite easily construct a case for Mephisto having planned this all along...

Gillen always writes a really strong and interesting Mephisto. Which helps a lot. The fact that he has him insisting on calling Shevaun by her former name of 'Hell's Angel', the banter between the two, is something I truly hope other writers pick up on.

Mephisto talks about Karmic Debt in the Age of Austerity.

There's a sentence I never thought I'd find myself typing...




It's true to say that in times past Mephisto did indeed invest a lot of time and effort in all things British. From Mortigan Goth to the Sect of Chadism he made a good many deals for British souls. But in this age of Austerity, with the hearts and minds of the British people beaten down by governmental cuts and coalition politics... well, as the Devil seems to suggest, British souls apparently just are worth as much as once they were. :)

And who WOULD you sell that karmic debt on to...?

Thes theme of Debt, and the need for the current generation needing to pay for the excesses of a previous one, run throughout this story. They're a nice a nice touch. 

Darkmoor is now a fully fledged Village

And it's being invaded by Psycho-wraiths. But we'll get to that...




We here at this site are big fans of the locality of Darkmoor. Enough to borrow it's name, as I'm sure won't have escaped your notice... ;)

The fictional locale of Darkmoor, in the real world area of the Cheviot Hills, goes right back to very beginnings of Marvel UK. It debuted in the very first issue of Captain Britain and it's popped up, from time to time, ever since.

In its first appearance we saw that (as the name suggests) it comprises of a moor, a Stone Circle (with a entrance to The Siege Perilous), and also a scientific research facility. Later on, in Dark Angel's series we saw the introduction of the Castle, and also a Police Station in the locality. But this is the first time we've actually seen any evidence of a larger settlement.

And weirdly this might be one of the things which I was most stoked about from the entire issue.

Gillen describes Darkmoor as a 'New Age Tourist Trap' - similar, I suppose, to places like Glastonbury. It appears to be a small market town, filled with the kind of stores which sell crystals, herbs and 'white magic' ingredients. A hots spot for spiritualists, clairvoyants and healers. Mysticism is something Marvel's Britain does so very well. Why not make it a Tourist site! I really love this idea, and again I hope this forms a basis for future stories.

And the Psycho-wraiths?

Oh. Yes! 

So, there's more of these. Just like we saw in the Alpha issue. They look a little different, and they arrive via some kind of tunneling vessel, but  they're the same type of creatures.

What is perhaps more interesting is that Gillen highlights just what these creatures actually are. We've seen that their bodies are tank bred, but beyond that what's actually inside of those bodies is a little darker. 

In a word 'Soul's.

Lost human souls.

Conjured by Mys-Tech, given a second chance of life in an engineered body. 

And they claim that they want to to be put out of their misery. Something Shevaun foolishly agrees to.

Foolishly, because it expends almost the entirety of her power. Just in time for an unpleasant surprise...

Meet Psycho-Wraith Prime. 

Yes. Prime. A more advanced, more powerful variant of the Psycho-Wraiths.




And that's one hell of a plan.

The Prime claims that Ranulph Haldane came up with this scheme. And Shevaun is central to it. The void inside her, the portal in her chest, is apparently the key to Mys-Tech's route back into this dimension. Something Daddy Haldane planned for just this kind of eventuality.

One might theorise that this is very reason he had her kept alive all these years.

That would be a bit messed up, no? :)

Is that what the vision was about?

Yes. Kind of.

A woman made of electronic parts, rising from a grave. "Miss Tech - Rising from the Grave". Get it!

Yeah... a bit tenuous. But that was what it was all about! :)

Always read the Small Print!

Yes! Really do.

Wiping out the other Psycho-Wraiths left Shevaun with a big problem. Power almost expended she used the last of it to fly the injured Doris out to a hospital. With her power so low she knew that the Psycho-Wraith Prime was following her, and that she had no way of defeating it when it arrive, without waiting for those powers to recharge. Which would take a degree of time which she simply did not have.

So, what's a girl to do but to call in a favour? 




And that seems logical, right? If Mephisto takes her power away then Mys-Tech can't access the void inside her. And if they cannot access the void then they don't get to come back.

Only this is Mephisto. This is the nearest thing Marvel comics have to the Devil, himself. And entering into a Pay Day loan scenario of the Soul is not something you should ever do lightly.

Because even if the Big Bad has just touched down behind you, reaching for the pen without checking what you're signing...




Can only ever end badly...




And you might get to spend eternity trapped inside the terms of a legal document. In this case quite literally and physically. 

One-Sixth of what they're Looking For?

Oh, yes. 




It seems that Dark Angel is the first of six souls required for whatever Mys-Tech have planned.

Six.

Wasn't there Six individuals shown in the vision which the Un-Earth projected last issue?

Why, yes there was!

Just a coincidence?

What do you think? :)

And that is Revolutionary War: Alpha. If we're to follow the Un-Earth vision Mys-Tech's agents on Earth now have Dark Angel, and through Death's Head II they may shortly have Captain Britain. They may of course also require Death's Head II. Wonder how he'll feel about that if it turns out to be true? :)

Wednesday (29th January) brings us Revolutionary War: Knights of Pendragon to stores. The Pendragon who we saw in the Un-Earth vision was Peter Hunter - the WW1 costumed hero known as Albion. So I'd imagine he'll be playing a significant part in the upcoming story.

Wonder what he's been up to in the intervening years? He was a teacher by trade. Maybe he's working at Braddock Academy or something? That'd be an interesting idea. One with no evidence to support it or anything, but who knows? :)

Until the next time, make sure you order your copy, and I'll be back to chat about the issue a week later.

Mark

Sunday, 12 January 2014

Revoutionary War continues this week as Gillen and Smith take on Dark Angel

Well, I hope you all picked up Revolutionary War: Alpha on Wednesday.

I did. And it was pretty bloody marvelous. Pun, plausibly, intended.

I've had a few people asking me to post up my thoughts on the issue, and some kind of summary. I am actually going to do this. But you'll have to wait until Tuesday night, as I am very much of the opinion that a) I do not want to spoil the issue for people, and b) There are some out there who might thing to themselves "Nah. I'll pass on this first issue, and just wait for that Darkmoor bloke to summarise it..."

So, I'm going to wait until Tuesday night as, at least for UK readers, this will be the last point you can go out and buy it in print before the second chapter drops.

Then the summary will just serve as a catch up, and some thoughts fresh in your mind, as you pick up the next issue.

Sound fair?

I hope so. And seriously, go to your local comic book store or purchase it now on ComiXology. This was a great issue, and you really won't be disappointed.

So, you've read Revolutionary War: Alpha. What next? Well, Wednesday brings us the turn of Kieron Gillen and Dietrich Smith as they take on the mystical cyber-punk world of Shevaun Haldane; Dark Angel.




REVOLUTIONARY WAR: DARK ANGEL #1
KIERON GILLEN (W) • DIETRICH SMITH (A)
Cover by MARK BROOKS
Variant Cover by SALVADOR LARROCA
Part 2 of “Revolutionary War”
• When Shevaun Haldane experiences a troubling vision in Darkmoor Castle, she realizes danger may be coming for the heroes of Marvel UK.
• With time running out, Shevaun has no choice but to suit up as Dark Angel once again.
• An adventure that will take fans through the past, present, and future of Marvel UK!
32 PGS./ ONE-SHOT/Rated T+ …$3.99



And the lovely people over at Comic Book Resources have a three page preview up for the curious.

I will post one page of it below, which should give you an idea of Smith's art style. Which I really like, and also think is pretty good match to the character.


 If you're really spoiler conscious, look away...







I really want to know where this is all going.

I'm sure you will too.

Revolutionary War: Dark Angel is out Wednesday (15th January 2014). The cover you should be looking for is shown above, or the Salvador Larroca Variant, which looks like this...






I am really looking forward to this one. The pairing of Dark Angel with Kieron Gillen seems like a complete no brainer. If there was one guy in modern comics who suits the concepts and sensibilities of the character it would be him.

I've got a good feeling about this one.

Thursday, 17 October 2013

Revolutionary War hits Marvel's January Solicits

So, Marvel's January solicits have come out. And that means we finally get see confirmed details of three Revolutionary War titles and their creative teams.

Plus Covers.

Check these out (and Click for a larger image):





REVOLUTIONARY WAR: ALPHA #1
ANDY LANNING AND ALAN COWSILL (W) • RICH ELSON (A)
Cover by MARK BROOKS
Variant Cover by TBD
Part 1 of “Revolutionary War”
• Marvel UK’s greatest heroes come together for the first time in 20 years to face a threat that could destroy the world.
• Featuring Captain Britain, Pete Wisdom, Death’s Head II, Motormouth and Killpower, the Warheads and a host of British heroes.
32 PGS./ ONE-SHOT/Rated T+ …$3.99


So... I'm seeing Captain Britain, Dark Angel, Motormouth, Killpower, Death's Head II, Digitek, Stacy and Col Tigon Liger from Warheads, Dai Thomas, the android Sir Gawain, Pete Wisdom, and is that intended to be... Blade? I'm not sure.

I like the logo. The Lion looks like it may have come from Captain Britain & MI13.

All looking good. Mark Brooks on art gives it some real clout on the cover.  And Rich Elson on interior art, as was announced at London Film & Comic Con.

Secondly....


 
 
 
REVOLUTIONARY WAR: DARK ANGEL #1
KIERON GILLEN (W) • DIETRICH SMITH (A)
Cover by MARK BROOKS
Variant Cover by Salvador Larroca
Part 2 of “Revolutionary War”
• When Shevaun Haldane experiences a troubling vision in Darkmoor Castle, she realizes danger may be coming for the heroes of Marvel UK.
• With time running out, Shevaun has no choice but to suit up as Dark Angel once again.
• An adventure that will take fans through the past, present, and future of Marvel UK!
32 PGS./ ONE-SHOT/Rated T+ …$3.99


It's Kieron Gillen writing Dark Angel. If ever there were a better fit for writing Shevaun Haldane I can't think of one off the top of my head. Great choice. I actually don't know anything about Dietrich Smith, but I have confidence.

The guns are an addition, but lets be honest Shevaun can pull out pretty much anything from that void created by her costume. It's the kind of dynamic looking cover which should grab people's attention, and it's great that they've chosen to stick with Shevaun's original Dark Angel costume. I've always much preferred it, compared next to the Larroca redesign. Which is of course interesting, because Larroca *is* doing the variant cover. I wonder which costume he'll be drawing her in.

It certainly sounds like despite her brief appearance in Captain Britain & MI13 Shevaun has mostly been retired from heroing since the end of the Imprint Years. I hope she gets to play a significant part in this story. I always thought that she was a character with a great amount of potential.

And thirdly...


 
 
 
REVOLUTIONARY WAR: KNIGHTS OF PENDRAGON #1
ROB WILLIAMS (W) • SIMON COLEBY (A)
Cover by MARK BROOKS
Variant Cover by TBD
Part 3 of “Revolutionary War”
• A corporate deep-mining setup unearths an old MYS-TECH base, where magical cloning experiments have been taking place.
• What mysteries or monsters are waiting in Britain’s subterranean bones?
• Featuring fan-favorite Marvel UK characters Dai Thomas, Pete Wisdom, and Union Jack!
32 PGS./ ONE-SHOT/Rated T+ …$3.99
 
 
Rob Williams and Marvel UK stalwart Simon Coleby! Excellent news.
 
Albion (Peter Hunter) appears to be back, accompanied by former Knights Union Jack and Dai Thomas. That certainly appears to be the android Sir Gawain on the right, in full armour, and is that actually Kate McClellan returning on the left hand side of the image? I really hope so.
 
The new addition appears to be Pete Wisdom. Which might seem a little odd, but we have seen him and Dai interacting in the past. And it's Wisdom. You can't go wrong with Pete Wisdom.
 
Unearthing some long since forgotten MYS-TECH monster cloning facility?
 
Well, I'm in!
 
So there you have it. The first three titles. They start reprinting Alan Moore's Miracleman stories in January, too. I am going to be SO broke, aren't I?

Wednesday, 6 March 2013

Marvel UK character appearances in US comics this week

Today is New Comics Day, in the UK and in North America. There is one book out this week featuring a Marvel UK property. One Death's Head, no less. In issue 7 of Kieron Gillen and Greg Land's Iron Man.

He appeared in the last issue, briefly. One panel was all.



Maybe we'll get more this issue.

The cover you'll need to be looking for is this:


And the solicit is as follows:


IRON MAN (2012) #7

Published: March 06, 2013
Rating: Rated T+
Writer: Kieron Gillen 
Cover Artist: Greg Land 

THE GODKILLER ARC CONTINUES • THE SHI’ARD - race of aliens related to the Shi’ar - accuse Tony Stark of killing their god. • That god was the Phoenix! • Can Tony trust the ancient alien machine that has offered to help him?

That is all for now.

Wednesday, 6 February 2013

More details on Death's Head in Kieron Gillen's Iron Man

Back in November I posted about how Death's Head was due to appear in an upcoming arc of Kieron Gillen and Greg Land's Iron Man series, at Marvel.






It's a cosmic arc (Hence the Godkiller armour Stark used when fighting The Phoenix in Avengers vs X-Men), and with Iron Man shortly joining up with the reboot of Guardians of the Galaxy that actually makes a lot of sense. Embracing the big adventure, space odyssey, side of the Marvel Universe, in preparation might seem like a logical move. Gillen himself has gone into a bit more detail about the arc itself in an interview for Comic Book Resources, which will apparently introduce a new alien race to the Marvel Universe (The 'Voldi'), explore some of the repercussions of what happened to The Phoenix in A vs X, involves an inevitable clash of alien cultures, and from the artwork posted on CBR certainly seems to involve some kind of gladiatorial arena.

"The first arc is very much like a Conan arc in that the Voldi are a civilized and cultured race. It's, 'Oh my god Earth has super heroes? How cute!' So they're slightly patronizing, but also quite charmed by Tony who's not even trying to get past his prejudices. He thinks he's going into space and he's going to make out with an alien and it's going to be brilliant," Gillen continued. "So one of the themes in the story is the culture clash between these two sets of people who don't necessarily understand each other yet."

Well, I'm on board. It's a bit of a different approach for the usually earthbound Tony Stark, but one which should be a lot of fun to read. The cosmic stuff which Gillen was doing in his S.W.O.R.D. series (up until its unfortunate early demise) was really well thought through and enjoyable stuff. The tone was easily in step with the approach that Dan Abnett and Andy Lanning had taken with Marvel Cosmic (on Nova and Guardians of the Galaxy), and while I absolutely loved reading Gillen doing fantasy stories on Journey into Mystery I had been hoping that he'd get back to writing some more cosmic stories at some point.

That S.W.O.R.D. run also featured Death's Head, of course. So what part does he play in all this?

"Death's Head plays a role in the 'GodKiller' arc, and this is the Death's Head I used in 'S.W.O.R.D.' so he's 30 feet tall. You can play Death's Head in many ways and if you're doing a space opera he's the Boba Fett -- the big, enormous robot over in the corner glaring. He's taciturn and he's the best bounty hunter in the galaxy. It's that simple. I use him throughout the story since he's part of the large supporting cast for all the ongoing space opera stuff," Gillen stated. "The idea was, 'Why not?' That's why I used him in 'S.W.O.R.D.' I needed a bounty hunter. I could have made it someone new if I wanted, but I was already making up a lot of new stuff, so I thought, 'Let's use Death's Head. He's a lot of fun.'

Damn right he is.

YES? :)

So this will be the Transformers-sized, earliest point in his timeline version of Death's Head, from S.W.O.R.D. Which should satisfy a fair few of the more hardened Marvel UK stalwarts. And also out doing what does best.

Just don't use the 'B' word to his face, right?

The 'Godkiller' arc begins in Iron Man #6, out in specialist comic book stores today.

Tuesday, 13 November 2012

Death's Head to appear in the pages of Iron Man

Long time readers might remember that a couple of years back there was a Marvel series by the name of S.W.O.R.D. It was a spin-off from Joss Whedon's 'Astonishing X-Men' centring on the organisation of the same name from that run, kind of like a cosmic version of S.H.I.E.L.D. It was written by Kieron Gillen, with art from Steve Sanders, and I had a lot of time for it as a series.

For all 5 issues it lasted, anyway.

Yeah, it was during *that* period of Marvel.

It was a lot of fun. I'm a fan of Beast and Agent Brand, so it was a no brainier for me. But the real thing hitch sealed the deal for me was that it featured none other than Marvel UK's very own Death's Head.

And not just *any* version of Death's Head. This was a pre-Transformers appearance. The guy was still HUGE.




Well, since the days of SWORD Kieron Gillen has gone on to have a fair bit of success on higher profile titles at Marvel, with runs on Thor and Uncanny X-Men, and my particular favourite, his run writing Kid Loki in Journey into Mystery.

As of Marvel's big new relaunch 'Marvel NOW' he's taken the reigns on the relaunch of Iron Man, with Greg Land on art, which came out last week. I enjoyed the first issue a lot, and was looking forward to the book anyway. But then I saw this...





Well, I guess I'm doubly sold now!

Great to hear that Marvel's finest Freelance Peace-keeping agent will be appearing on such a high profile title, too. I mean that's not really happened since his appearance in Walt Simonson's Fantastic Four, back at the turn of the 90s.

Gillen had a really strong handle on Death's Head when writing SWORD. I reckon it'll be worth keeping an eye out for this one.

Sunday, 17 January 2010

Help Save S.W.O.R.D. and a word on the state of Marvel Comics.

Well... what an incredible shame it is that we find ourselves here again. It was so recently that I was singing the praises of Kieron Gillen and Steven Sanders' S.W.O.R.D. series from Marvel. #3 came out this week, to be rewarded with the news that #5 will now be the final issue.


Once again marvel have chosen to cancel another ongoing series before the 6 month mark.

This truly saddens me. I love S.W.O.R.D. I love it because it brought Death's Head back into comics, obviously, but also because it actually made me like Agent Abigail Brand. I hated her on Joss Whedon's Astonishing X-Men. Couldn't get a handle on her.

Kieron Gillen managed to change my mind. This series has really helped find a hook for the character, and has been incredibly good fun to read. From a depressed Lockheed drinking his life away though the loss of Kitty Pryde to the unexplained danger of Unit, an entity helping S.W.O.R.D. but only through the containment of a prison cell.

ifanboy made #3 their Pick of the Week, this week: Click

I honestly do not understand this decision. I really don't.

Gregg Hyatt runs a Blog by the name of NerderyBlog.com, and he is certainly just as disappointed by this as I am. But he is mounting a mailing campaign to Marvel, asking them to reconsider. He's even doing that hard work for us fans of the book by knocking up two alternate pre-addressed .pdf files for you to pick, print out and stick in the mail.

(Boy do I wish I'D thought of that when they cancelled Captain Britain & MI13)

I would urge any of you who have loved this series, or even liked it,to go to his site HERE, follow the instructions, print off and sign a copy, and put them in the mail.

Gillen and Sanders have been doing such fantastic work on this title. I cannot believe this cancellation has come down so soon.


This whole situation with Marvel and cancellations right now deeply concerns me. I think it should probably go without saying that I LOVE marvel Comics. I genuinely do. If it wasn't FOR them I probably wouldn't be reading comics at all, and I have always had an incredible affinity for their characters and stories. My head is filled with so much continuity and concepts which they put there. And I love it!

But that said, this past year I cannot say that the direction things appear to be flowing in at Marvel is something I am entirely happy with, and I'd like to make it clear as to why.

During the first two thirds of the post-2000s (Yes I refuse to call them the 'Noughties') Marvel Comics was a buzz place to be and a great place to read comics. Joe Quesada's new reign as E-I-C brought a much needed revolution to Marvel, and you couldn't help but feel excited about things. They seemed to have a real gameplan, and had a real mission to enrich and build up their 'Universe'.

At this point 'Marvel Universe' titles were practically a brand in their own right, showcasing a number of diverse teams and individual character books, and the creative talent to write these books had been head-hunted from all corners of media to form a whole new generation of writers and artists.

They brought us Brian Michael Bendis, Ed Brubaker, Grant Morrison, Mark Millar, Allan Heinberg, Brian Hitch, Brian K Vaughan and JMS. Big names, and GREAT output.

It brought us new takes on old older properties, such as Bendis' Daredevil and Grant Morrison's New X-Men, and brilliant new properties like BKV's Runaways and Heinberg's Young Avengers, and a there was a commitment, clear for all to see, for trying new things. Like Marvel Next and the Ultimate Marvel line of comics, which weren't just reboots of existing properties for new readers, but new creative outlets to play with them in ways you just couldn't DO with the mainstream Marvel Universe.

Properties like Ghost Rider, Blade and Daredevil all had movies made of them (With varying success). Marvel even got to build up enough creative clout to form their own Movie Studios, giving them far greater creative control over movies using theier characters.

Now though, that this generation is beginning to go its separate ways a little (as is inevitable in comics) Marvel have brought us a whole new generation of writers and artist they are trying to mould into the next big wave of talent.

Johnathan Hickman. Paul Cornell. Rick Remender. Kieron Gillen. Jeff Parker. Leonard Kirk. Steven Sanders. Kathryn Immonen.

I cannot stress enough how happy I am to see those names working for Marvel.

However, whereas in the first third of the 2000s it was practically a given that a new creator would be given a chance to write or draw a monthly ongoing book in the Marvel Universe stable, to help hone their craft and prepare them to take over something bigger some day, in the years 2008 through to 2010 it kind of saddens me to see that this is no longer really the case.

It saddens me that this diverse Marvel Universe, previously a brand within its own right, is no longer... really there. Because aside from Daredevil and Fantastic Four it's almost now entirely gone. The number of books cancelled from this area of Marvel's output in the last 3 years is frankly pretty frightening reading.

Runaways. eXiles. Agents of Atlas. Blade. Doctor Voodoo. Ghost Rider. New Invaders. Captain Britain and Mi13. She-Hulk. Ms Marvel. Arana. New Warriors. Heroes for Hire. Alpha/Omega Flight (Omega Flight got downgraded to a mini, despite the creative team having plans for a first year). Nextwave. Eternals. The Order. Immortal Iron Fist.

And now S.W.O.R.D.

That's just off the top of my head, of course. I'm sure there ARE others I have forgotten, but those are the ones which spring to mind. The meat and potatoes of Marvel's entire brand.

It's seems that now pretty much any book which does not fit directly into the X-Men, Spider-man, Hulk or Avengers brands seems to only get any real press attention, advertising or hype from Marvel once the book has already become a dead cert for cancellation. We saw it with Captain Britain & MI13, we've seen it with others since, also.

Sure, books like Agents of Atlas DID get some full-page advertising showing some truly beautifully painted covers, made into and advert for the book.

But I do have to ask... how much does a beautifully painted advert which shows a set of characters who (certainly for the vast majority of) readers of other titles have never even SEEN before really achieve?

Seriously. I would have thought that to actually be a bit of a wasted piece of advertising. Because it doesn't tell a prospective reader anything about the book. Or, indeed, why they should be reading it. There is no hook for the reader, just a pretty visual. And often that is not quite enough.

I would have thought that it was a very similar situation when the John Cassaday cover for SWORD #1 was used as an advert too. It looked fine enough. But it didn't really tell anybody anything about this ongoing series at all. And for a book quietly launched in the background of Marvel's Dark Reign event that was something which the book absolutely needed in order to grab people's attention.

Gone, in the last couple of years in particular, are the editorial pieces placed in each monthly book from Marvel, telling you WHY you should pick up other books. Remember those? We very rarely even see a Cup Of Joe piece, these days.

Editorial pieces, Bullpen Bulletins, and the marvel Checklist page were indispensable parts of any Marvel Comic. Because it was these which told prospective readers what was going on with these new titles, highlighting them, and spelling out why they CAN'T AFFORD TO MISS what's going on? Back in the 90s pretty much ALL of my new purchases were informed by the Checklist page. It's how I heard about what else was going on in the Marvel Universe. Without that I would have only stuck to the properties I knew, the Spider-man and X-Men books of this world - much as it seems most readers out there are doing today.

It might just be my own personal opinion, but I very much believe that Marvel should be forgetting about using covers as full page ads. Modern Marvel Comics rarely have covers which relate to the actual interior of the book as it is, so why anybody should think they'd make a good advertisement anyway is questionable. Instead, I believe they should be exchanging these for a full page feature, words and art clippings, telling prospective readers about the book they are pimping. Because you cannot sell a S.W.O.R.D., or an Agents of Atlas, or a Captain Britain & MI13 on a cover alone. They don't recognise these guys!

Instead they need a HOOK.

They need the premise of the book, it's setting and characters, explained concisely and in a visually appealing form. Nobody should ever expect a prospective reader to go out of their way to find out about a book online. Marvel may put an article up on their website, but I would genuinely wonder what percentage of monthly Marvel readers regularly check Marvel.com? 'Regularly' as in the every new story posted on a daily basis?

I wouldn't have thought it to be terribly high, to be honest. Because, and lets face it, us comic fans tend to be a bit lazy with things like that. ;D It's no crime, but it is the way things ARE. But when we're reading a book we're a captive audience. A one page feature, presented well, will grab our attention. It's really all we need.

And perhaps the the daftest thing is that this something which Marvel used to do very well.

Mavel has switched it's focus in the past few years towards a concentration on event books. I don't really have a problem with that, as I do actually quite enjoy events.
Event books, of curse, pretty much sell themselves. You put a banner on the cover and it will sell because the casual reader tends to feel that the banner means that book is 'important'. They feel they NEED to buy that book, or thy might be missing out. And while they still feel that need they probably will miss out on picking up a new series, with characters they are not so familiar with, in favour of whatever book currently shows the Big Guns fighting in it.

That's not a crime. It's common logic, really. But it is a shame. Because without people picking up these 'unknown quantity' titles they do not survive. In order to change that Marvel really DOES need to give them that reason. To make it plain that they consider them just as important to a reader AS the big books. That's the way it used to be done, but these days it almost seems as if some part of Marvel is happy enough to allow these titles to be seen as something less important. The façade has to be maintained, otherwise the sales CAN only drop.

But what really worries me the most about the current situation is that while the previous generation of new talent at Marvel were given time and space to hone their craft, to learn through doing on monthly ongoing books, for this current new generation it seems to be turning out to be a very different story.

Look back at that list of creators above. Apart from the brilliant Jonathan Hickman (If you're not buying his Secret Warriors book, you should be) how many are still on monthly ongoing books at Marvel? How many have had their books cancelled? How many in recent times before even reaching the six month mark? I mean seriously Jeff Parker has now had THREE ongoings cancelled. His eXiles run was also cancelled at the #3 mark.

Smaller titles like SWORD, Agents of Atlas, or Captain Britain & MI13 may review very well, may get critical acclaim, but they are NOT an easy sell to the average comics buyer. The characters are not so well-known, the writers and artists are not as well-known, and they take quite some time to establish a readership. You can't rush that, because you are starting from scratch. Even if you've had a mini series before it - because there's a world of difference between a reader committing to a mini series and a reader committing to buy a book EVERY month for the foreseeable future. A great amount of difference.

A new title needs TIME. It needs two to three arcs of story to establish itself. At least six months of reviews to pick up comments for adverts from. At least Six months of people talking about it online and in comic book stores. At least one trade paperback on the shelves, so that when that prospective new reader asks 'What's like? Do you think I'd like it?' fans or the store owners can hand them a copy and say 'Here! Buy this and see what you think.' It helps new readers catch up and helps generate a fan base which otherwise WILL NOT take shape. Because there isn't time FOR it to take shape. Nor could anybody expect it to.

I love SWORD. And I think that a lot of guys would also love it if they picked it up and took a look. Cancelling the book on #3 is ridiculous. There were people I know who only picked the book up for the first time this week, and added it to their pull list. Guys who don't normally read Marvel. Some guys who were still feeling burnt over Captain Britain & Mi13 (the first book which got them to try Marvel Comics again in over a decade) getting cancelled just when they'd started picking it up in its third arc.

Cancelling books just at the point where people start 'getting' it creates a really bad atmosphere. When a new reader finds a book they like only to find it gets axed they are far less likely to try another. If it happens again, and again, there really is a very genuine chance that it will cause them to swear off buying that publisher's books period. If I were working at Marvel right now it's certainly something I think that I would be quite concerned about. Because this isn't the odd title we're talking about her. The list of cancelled ongoing titles is getting rather large now, ad almost all of them are reviewing VERY well.

And I personally would also have to question quite how long this can continue before the very new writers and artists Marvel wants to attract are going to start being put off by what Marvel is doing. At the end of the day an ongoing book should BE ongoing. As a creator if that's what you signed up for, if that's what you were promised, how would you feel if that deal was reneged on after only 3 months? If it happens more than once would you really want to stay?

I had hoped that Marvel's takeover by Disney would have allowed the company to start giving creators more space to work. Maybe it yet will. But right now It seems not.

And that is very sad to see.

You know, I feel sure that a fair few people at Marvel feel just the same way as I do. I don't want to trash a company who have made me so very happy over the years, and I certainly won't stop buying Marvel in protest. But that, folks, is how I feel about it all.

Am I alone, here?

Monday, 14 December 2009

Death's Head is BACK, yes? And possibly... for the FIRST time?!?

Right, one of my greatest regrets in being out of contact during November was not plugging this one anywhere near as much as it very definitely deserved.

Some of you out there may have seen the launch last month of a new cosmic but X-Men tied book from Marvel, by the name of S.W.O.R.D., written by Kieron Gillen (Phonogram, Thor, Dark Avengers: Ares) and with art from Steve Sanders. The covers look something like this:



The series centres around the agency knows as S.W.O.R.D. (The Sentient World Observation and Response Department) and the Head of that group Special Agent Brand, both of which were created by Joss Whedon, during his run on Astonishing X-men.

S.W.O.R.D. are a space-borne counter-terrorism and intelligence agency, who hover over Earth taking care of extraterrestrial threats. They've featured a couple of times outside of the X-Men. Spider-woman now works for them, and most notably they were taken out in the first wave of attack during the Secret Invasion event last year.

Which led to Norman Osborne (For it is he who now runs the agency which replaced Nick Fury's S.H.I.E.L.D.) to insert old X-Men political foe Henry Peter Gyrich ahead of Agent Brand. That's him on the cover of issue two, with his agenda up in writing behind him. He wants Brand out and he wants every last damn alien on Earth sent back to their point of origin.

Marvel Boy, Karolina from The Runaways, Beta Rey Bill... The lot.

The supporting cast features the X-Men's Hank 'The Beast' McCoy (Who has been dating Agent Brand since Astonishing X-Men) and Kitty Pryde's former companion (And ex-Excalibur member, of course ;D ) Lockheed.

But it was actually a guest appearance which interested me the most, here. During the first issue Agent Brand is pulled away from her duties when her Half-brother contacts her. He's gotten himself into a spot of bother. As a result a Bounty has been put on his head.

And guess who's chasing him to collect it? ;D

OH, YES. Death's Head has returned to the Marvel Universe. The initial conversation with Agent Brand of a comms channel shows us a slightly restyled likeness of the original Death's Had. Complete with that mercenary style body warmer armour. And he has every bit the same amount of attitude as ever.

But that first glimpse really doesn't convey the SCALE of this appearance, as I'm sure you'll appreciate this page demonstrates more actively (Click to enlarge):



Look how HUGE he is!

He's the size of house!

He's the size of a... Transformer? ;D

Reading this appearance does seem to indicate that this incarnation of Death's Head is indeed from before his encounter with not only Doctor Who, but also with the Transformers appearances. For one he's not using the title of "Freelance Peace-Keeping Agent" yet.

The Beast actually suggests that term TO him.

He notes that he rather likes.

Then tries to kill him.

By my reckoning, for this reason, what we are seeing here could well actually be the earliest version of Death's Head ever seen in the Marvel Universe. Biographically, anyway. And that is worthy of note. Top marks, Mr Gillen!

Seriously, guys. All old school Marvel UK fans should be picking this up. But not just for the DH guest appearance. More because it's a damned good book. You know the rules - if you want to read a good book at Marvel, always aim for the smaller titles with a good writer, first.

This is a great new ongoing book. Issue 2 came out this week, issue 1 should still be available. So go to your store and pick it up. Seeing a broken Lockheed hitting the booze as he grieves for Kitty Pryde should be reason enough.

No. Really.

That's in there.

But I won't post it up. You'll have to go and BUY it yourself. ;D

You won't regret it.