Showing posts with label Simon Furman. Show all posts
Showing posts with label Simon Furman. Show all posts

Sunday, 10 March 2013

ICFD Cover of the Week - 10th March 2013







This week's cover is the cover to The Sensational She-Hulk (Vol 2) #24, from February 1991. 

Art by Bryan Hitch.

Yes,  two weeks running for Bryan Hitch. But two very different covers. Given that Death's Head has made guest appearances in two Marvel books this month I thought I'd dig out a Death's Head guest appearance from yesteryear...

The issue was drawn by Hitch and written by fellow Marvel UK alumni Simon Furman.

And yes, the story genuinely is about an antique vase. And yes, She-Hulk and Death's Head genuinely do  tussle over it. With quite a toll of villains also in the mix.

While DH's US guest appearances were somewhat limited in number this issue holds a similar charm to me as the Motormouth & Killpower Hulk story does. It's a character I loved reading finding a new audience, across the Atlantic. Plus it doesn't take itself too seriously. This, for me, is Death's Head's strength as a character. He could turn up at any place, any time. Something I'm always glad to see writers take advantage of. 

Wednesday, 20 July 2011

Tuesday, 22 March 2011

Captain Britain to enter The Iron Age

Just a quick one this. Thanks very much for all the well-wishing. I'm out of Hospital and mending at home, but I couldn't let this weekend go by without posting this up.

Late last week, as some of Marvel's June solicits started to trickle out into the public domain, a few people spotted the following publication title amongst the list:

"IRON AGE #1 (OF 3) CAPTAIN BRITAIN JUSKO VAR"

Captain Britain Variant? Oh, yes. But why? Well, at the time I had no clue what Iron Age even was. But this past weekend C2E2, the convention in Chicago, happened. And this image suddenly turned up:



Was this the Captain Britain variant? Well, no. That was for The Iron Age #1. This is a one-shot tie-in for this mini Event.

Iron Age is a mini-series starting in June written by Rob Williams and pencilled by Rebekah Isaacs. Some of you will know Rob from his work on 2000 AD, or from Cla$$war.

Or you may remember him from the Deadpool Team-Up issue featuring Captain Britain, last year.

Mr Williams describes the concept behind the story thusly:

The initial thought on The Iron Age was one of those 'eureka' moments,” reports Williams. “I'm a huge NFL fan and was reading a magazine article on the success of the Throwbacks weekends, where teams wear their old uniforms. And then I figured, why don't we do that with a one-off super team? Put some of our favorite heroes from today together in their old outfits. Any old time Marvel fan would love to see Luke Cage in his headband, Johnny Storm in his red FF outfit [and] Captain Britain in his classic [Alan] Moore/[Alan] Davis 80’s uniform all fighting side-by-side. From there it was just working out the logistics of how we could pull this off and tell an emotionally engaging story, one that worked as a thrilling adventure and that had something to say about the longevity of these characters and why we love them so much. A story that occurs in today's Marvel Universe and actually matters to the main characters, rather than being a What If? type of deal."

...

“We needed someone with iconic moments we could go back and visit,” he explains. “Also, Stark's technical knowledge means that, if anyone could put one of Doctor Doom's time machine back together, he could. It'd be too easy for Reed Richards, but Stark? There'd be a challenge to his ego there. A time machine should be beyond him. But is it? Also, his arrogance meant that he has a long way to fall. We're really putting Tony Stark through the mill in Iron Age. Kicking him where it hurts and trying to give him one of his greatest challenges.

“Stark's mission? When a long forgotten figure from his past uses one of Doom's time machines to bring back Dark Phoenix, Tony watches in horror as the Marvel Earth is completely destroyed. This isn't a What If?; everyone on the Marvel Earth dies and Stark finds himself trapped in the past. From there he has to recreate one of Doom's machines and travel back to save the day. But he's going to need the help of some surprising Marvel figures to pull this off. And they'll meet some interesting old villains along the way, too.”


Now is it just me, or does anybody else think that this all sounds like a really quite clever and pretty bloody good idea? It's a three issue series, featuring a superteam of characters plucked from some of their strongest and most interesting points in their history. Read the interview in full over at Marvel.com

Oh, and that variant cover? Not sure. But this image by Ben Oliver has been slipped into all the press for the book so far....

 
And good GOD it is Awesome! :)

The two officially solicited titles so far are described as follows:

THE IRON AGE: ALPHA #1
Written by ROB WILLIAMS
Penciled by REBEKAH ISAACS
Cover by ARIEL OLIVETTI
Variant Cover by ED McGUINNESS

The one true Dark Phoenix returns to the Marvel U with a vengeance! As the earth is destroyed, Iron Man is swept into the time-stream where the only chance for survival is to gather the greatest heroes from across the
eras and change the course of history! The Avengers, Fantastic Four, the X-Men and more will join Iron Man for this trip through all the ages of
Marvel! Rising stars Rob Williams (DARK WOLVERINE) and Rebekah Issacs (MS. MARVEL) team up for the century-spanning epic that takes you through the Marvel Universe’s greatest moments…and maybe to
its last!
32 PGS./Rated T+ …$2.99


THE IRON AGE #1
Written by CHRISTOS GAGE & ROB WILLIAMS
Pencils by LEE WEEKS & BEN OLIVER
Avengers Cover by LEE WEEKS
Captain Britain Cover by JOE JUSKO
Trapped in the past, Iron Man races the clock to save the future from annihilation. But his past self is in a drunken stupor, and Tony’s fellow Avengers, dismiss his story as an alcoholic delusion. The keys to saving Tony’s future? Hank Pym…exiled Avenger and one of the Avengers’ greatest enemies: Ultron! Christos Gage (AVENGERS ACADEMY) teams with comics legends LEE WEEKS and TOM PALMER – inker of more issues of Avengers than anyone else – to bring you an all-out epic in the mighty Marvel manner! THEN! Tony’s next stop is Captain Britain’s London, a totalitarian state bent on a new, ‘cleaner’ future. Rob Williams teams with Ben Oliver (Ms. Marvel) as Iron Man and Captain Britain fight for freedom!
48 PGS./Rated T+ …$4.99


So keep an eye out for those in a couple of months...

In other news, remember that Captain Britain Hardcover solicited for May? Well, guess what got solicited for June?

CAPTAIN BRITAIN VOL. 2:
SIEGE OF CAMELOT HC

Written by LARRY LIEBER,
JIM LAWRENCE & STEVE PARKHOUSE
Penciled by RON WILSON,
PABLO MARCOS, JOHN STOKES
& PAUL NEARY
Cover by HERB TRIMPE

The adventures of Marvel U.K.’s first all-original super hero
continue! Captain Britain thought he had it rough facing foes like the alien Star-Creature, the shape-shifting Black Baron, the mad Doctor Claw and the vicious Slaymaster. But that’s nothing compared to what awaits him when travels to America and teams up with Spider-Man to battle the villainous Arcade, and then battles side-by-side with the Black Knight as they plunge into the heart of Otherworld — where they encounter the mystical Merlyn, the evil Modred and the ancient Nethergods…and must resurrect King Arthur himself! Collecting SUPER SPIDER-MAN AND CAPTAIN BRITAIN #233-247; MARVEL TEAM-UP (1972) #65-66; and material from HULK COMIC #1 and #3-46, and INCREDIBLE HULK WEEKLY #47-55 and #57-63.
376 PGS./Rated A …$39.99
ISBN: 978-0-7851-5753-3
Trim size: oversized

So... as I see it, that's all the material Panini have been printing here in the UK, reproduced oversized in two hardback volumes for the US market. And released to coincide with Captain Britain's appearances in The Iron Age maybe? Either way, while I have them in paperback, I shall be buying the hardcovers too.

And one final bit before I disappear back to a comfy chair with some painkillers, remember Simon Williams' Death's Head vs Hulk strip, which I mentioned a while back?

Well, this week #33 of Marvel Heroes comes out in newsagents across the UK. And it's promises something a little bit special. A Hulk story written by Transformers legend Simon Furman and pencilled by Simon Williams.

And it only bloody features Death's Head!


Click for a larger view.

So, yes. This one comes out on Thursday (March 24th). While I was in hospital Simon did an interview with iFanboy about the upcoming issue. You could do a lot worse than check that out.

Well and go out and buy a copy, obviously! ;)

That's going to have to be it, for now.

Speak soon

Mark

Wednesday, 13 October 2010

Missed Marvel UK creators at Cons this year? This may help.

Two things that I have regretted this year, whilst moving house and working ridiculous hours, is that I haven't been able to get out to as many Cons as I'd initially planned. Especially this year, when I knew that in at least two instances there was going to be appearances made by certain Marvel UK creators whom I have not yet had a chance to meet. Firstly, I'd seen fliers stating that Captain Britain creator Chris Claremont was going to be at Bristol Comics Expo. Now even in this day and age, that was a pretty big deal. How often does he come to the UK, these days? I had to make that. It was in May. I could do that...

Yeah. I failed to make Bristol...

I'd also been hearing really good things about Sci-Fi London. I'd been hearing names like Gary Erskine (Artist on Knights of Pendragon and Warheads), Dez Skinn (Former Head Editor of Marvel UK, in the 70s), John Freeman (Former Group Editor of Marvel UK, editor on Doctor Who Weekly, and writer on the Real Ghostbusters comic), Simon Furman (Creator of Death's Head and UK Transformers legend),  and Dan Abnett (Death's Head II and Knights of Pendragon). There was word of a proper Marvel UK Panel! How could I miss that?

Yeah. That was in May, too. Didn't make that either...

Luckily for me (And if you missed them, for you also) there is some consolation here. Alex Fitch presents a weekly radio show about comics, on London's Resonance 104.4 FM, by the name of Panel Borders. Not being a London resident I can't pick it up live, but Alex does also put out his shows as Podcasts. And in recent times there have actually been several of those which will probably be of quite a bit of interest to regular readers.

For one, Alex managed to get an interview with Chris Claremont at Bristol. You can find that one HERE.
It's quite an interesting interview. A little guarded from Claremont, but it does touch on his British roots, Captain Britain, and also his continuing want to work with Alan Davis. Well worth a listen. Many of you might have read interviews with Claremont before, but hearing him actually speaking, certainly for me, adds a different dimension to some of his past interview comments. Take a listen.

Alex also chaired the Marvel UK panel at Sci-Fi London! And therefore the whole panel has been recorded, split into two Podcasts, available HERE and HERE. It's a really good panel, which discusses Marvel UK right across the three decades of its existence. One very interesting dimension discussed here though, and which I don't tend to cover as much on this Blog, is Marvel UK's licensed titles from the 1980s. I don't tend to cover those as much, because their characters are not so transferable into the present, and aren't strictly speaking the property of Marvel UK. But it cannot be denied that titles like Transformers, Thundercats and even The Real Ghostbusters, were huge sellers. Certainly larger sellers than the vast majority of titles in the modern American market, that's for sure. I cannot recommend listening to this panel enough.

Other Podcasts available from the Archive, which you might be interested in from a Marvel UK standpoint, include, a great spotlight on Captain Britain, from last year, which includes interviews with both Paul Cornell and Alan Davis, interviews with David Lloyd (Artist on V for Vendetta, ad Night Raven),  Mark Buckingham (Mortigan Goth: Immortalis, Marvelman and Fables) and another interview with Paul Cornell and David Hine which technicaly is rooted in their work for DC, but is also worth a listen.

So, that's three days and four Blogs. I'm getting there guys, but please bear with me... :)

Sunday, 8 March 2009

It Came From Darkmoor UPDATE - Cameos, Blogs and possible a lot of NEW STUFF!

And I'm back.

And yes, this one is long overdue.

So welcome to a bumper 'All the the stuff I've been meaning to post' edition of It Came From Darkmoor. I'd like to begin by showing you a few of the places that you can (or at least in some cases will) be able to find some appearances of Marvel UK's finest - at present and within the coming months.

I'll kick that off with an X-Men title, of sorts - Chris Claremont's final issue of New eXiles. I have to admit my loyalty has floundered a little on this book. at least one regular cast member I am very much invested in, but the series just hasn't managed to capture the magic of Judd Winnick's original series. The book is actually getting rebooted with a new #1, a new cast and Jeff Parker taking over writing duties very shortly. But I picked up the final issue to see what had been going on, and the implication of what this strange status quo might have on Marvel's multiverse. And as luck would have it I was greeted by a surprising little cameo from one of Marvel UK's best known faces:


And no, it's not Psylocke. She's been there since late on into the last run of eXiles. For those unaware of the set-up, all of those TVs in there show glimpses from other dimensions in Marvel's multiverse. Take a closer look at that top screen:


That's right, folks. A sound little cameo by none other than Death's Head! Who'd have thought. Sure it's an alternate Earth (So it probably isn't OUR Death's Head) but us fans of the horned and metal-plated one must take what little we can get...

Major Kudos to Mr Claremont and New eXiles artist Tim Seeley for that little cameo.

I'm on a real Death's Head kick right now. I'm currently working on some issue summaries of the original DH series for Comixfan (I'll post up some links when they're all done an on site) and have been having a lot of fun re-reading those issues in, which I recently picked up again in the form of the two Panini trades.

It was about the time I had begun reading the second volume time that Simon Hall emailed me a scan of this advert he'd found, while reading through a copy of Knights of Pendragon, for a much earlier attempt at a Death's Head trade collection:



Thanks greatly for that, Simon. I love this advert. It captures the tone of the series and the character so well. The trade itself was kind of a 'Best of' Death's Head. It didn't include the whole lot, but it did have some interviews and early art examples in it. Simon Furman, however, was never quite happy with the volume. In the introduction to the second Panini trade he says:

"It's taken 20 years to get Death's Head collected. Complete. Properly. It's not for want of trying though. Back in 1990, Marvel (UK) gathered together selected chunks of the original 10-issue series under the title The Life and Times of Death's Head. However, much (indeed, whole issues) was omitted for the sake of the 146 pages allotted to that slender volume, and the result was rather unsatisfying (to me at least). A better stab at reprinting/repackaging the Death's Head series came with The Incomplete Death's Head. This 12-issue maxi-series, published throughout 1993, was essentially a reprint title, but with new originated/linking segments featuring DH's successor Death's Head II. All in all, it did a pretty good job of gathering DH's various appearances and stringing the together into a new narrative, but it wasn't a collected edition, and it was, indeed, incomplete"
.

And he's right. It is. I am so incredibly glad that Panini have now collected it all. It's long overdue.

I would say though, to all Death's Head completists out there, that if you can get your hands on the 12 issues of The Incomplete Death's Head I'd certainly recommend it. It genuinely does, through adding the new linking bits of material, make the original run (and some of those guest appearances) into a whole new separate story. It's kind of weird, but also kind of cool as well.

In same introduction to that second volume Furman also mentions the following:

"In 1992, a new Death's Head series, written by myself and with art by Geoff Senior, was begun (in terms of the creative processes of script and art ) and then abruptly canned in favour of a complete reinvention of the character as Death's Head II. New Marvel UK editor-in-chief Paul Neary arrived with a new broom and the intended series went out with the trash. Oh, how I wish I still had some of the amazing art Geoff (Senior) had delivered up to that point!"


Now I recall Mr Furman mentioning mentioning this upcoming series (I believe it was a limited series at that point) in a mocked up interview with himself and Death's Head, for Death's Head: The Body in Question. I'm a huge Death's Head II fan, as I'm sure you're no doubt aware by now, but there's still a big part of me which would have loved to have known more about what Simon and Geoff had planned. After The Body in Question, in many ways Death's Head felt to have completed his current cycle, but I'm sure they must have had some other kind of specific direction to take him down. we can only speculate as to what that might have been...

The next cameo on the list is one which has been mentioned before...

A little while ago I blogged that Captain Britain and MI13 were to get their first appearance outside of their own title, in the pages of Dan Slott's Mighty Avengers #22. Well, for those of you who might have missed said appearance, it kind of looked something like this:



So yes, it really is a cameo. A quickie appearance from Cap, Spitfire and the Black Knight, along with several other Marvel heroes (She-Hulk, some of JMS's The Twelve and some of Parker's Agents of Atlas?) from around the world, used here to convey the scale of bad stuff happening. And that's a good thing. Any appearance by the team in a top tier title is a good advert for the book.

Back over in the book itself though we've been having a reappearance of another ghost from the past. While not technically a Marvel UK property, they certainly are British. And as can be seen in in this page from Captain Britain & MI13 #10, they've come to pay Spitfire a visit.



For the uninitiated, that fella goes by the name of Kenneth Crichton. And yes, he is indeed Spitfire's son. But you may know him better by the name he assumed the last time he was in comics. Kenneth Crichton is a vampire. He was the second Baron Blood.

Those who read the Ben Raab/John Cassaday Union Jack series a few years back will know what befell him. An extreme case of death by sunlight. But this book has Blade on the team, and in his last ongoing series the Vampire Hunter made a bit of a mistake. A mistake which brought an awful lot of Vampires back from the dead.

Kenneth along with them.

Just when things started to look rosy for Spitfire, too. Talk about complications...

We'll have to wait and see where Paul Cornell goes with Kenneth's resurrection when the next issue of Captain Britain & MI13 hits shelves on Wednesday (Thursday in the UK). But one thing is for sure he won't be the only British character making an appearance. Union Jack will be turning up again but Paul also let out some very interesting news in an interview he did for Newsarama whilst at New York Comicon (
http://www.newsarama.com/comics/020911-Nine-Cornella.html
):

NRAMA: With Marvel's history with UK comics, including a Marvel UK imprint at one point, do you see yourself tapping more into those older comics for future issues?

PC: Just wait two issues, my friend.

NRAMA: Maybe my favorite Marvel UK title, Knights of the Pendragon?

PC: Of course. The Green Knight already popped up, and we're also thinking about using Tangerine. And there's also an upcoming appearance by Motormouth and Killpower; do you remember them?

NRAMA: Yes, of course. Some early great artwork by Gary Frank on those books.

PC: Yes, well they're going to be coming up soon. The way I see it, all of the British superheroes work for MI:13 in a defacto way so there's a way we can have them all pop up. In this upcoming story, Motormouth and Killpower are on duty when something terrible happens and the team is brought it.

I love being free to do this kind of stuff.


So... firstly, the possibility of Tangerine will certainly please old Excalibur fans. I've certainly championed her cause in the past (Who the Hell is Tangerine?) so that's certainly something I approve of.

But the bigger deal for the Marvel UK faithful is hearing those two names for the first time in so long... "Motormouth and Killpower"!

Now, for those who missed the imprint years you may know these two better from an appearance they made in Peter David’s Hulk run from the 90s. There again they were being drawn by the brilliant Gary Frank. But Motormouth and Killpower were one of Marvel UK’s original ongoing series. Created by Paul Neary, Graham Marks and Gary Frank the book began as ‘The Indescribable Motormouth’ but soon added Killpower’s name to the title when it was clear that he was going to be playing just as big a role in the series.



Harley “Motormouth” Davis and Julius “Killpower” Mullarkey were big players in the 90s imprint. Harley’s powers are sonic. She picked them up via a bit of quirky technology she picked up in another dimension, and a bit of tinkering from her partner. She had these shoes she kind of stole from Mys-Tech, which allowed her to slide between dimensions. She also had a talent for the kind of colourful language which would make a sailor blush. Couple that with her sonic abilities and… well, I’m sure you can imagine.



So yeah, Harley is a little bit like what the X-Men’s Banshee or DC’s Black Canary would be like - if they had a ‘potty mouth’. But that low vibration humming sure comes in handy.

Julius on the other hand was a test subject, grown by Mys-Tech’s Oonah Mullarkey in a lab. He’s a mish-mash of human and animal DNA, conditioned and programmed and artificially age. The result is that he’s super-strong, takes a lot of damage, has a natural flair for using pretty much and technology or firearm he can get his hands on... but he’s still kind of got the mentality of a child. For example, it was Julius who configured the technology in Harley’s throat to produce that sonic scream, but often thrown into a combat situation he often sees it as a bit of a game – prompting his trademark war cry of “It’s a Turkey Shoot!!!”.



They remain two of my favourite Marvel UK characters. Always fun to read, and an interesting dynamic. After all, there’s not many female heroes out there who have a male sidekick. I’m looking forward to this. $%^& me. It could be %^&£^%£ fantastic.

Some of you may recall a post I made a few months ago, during the Secret Invasion issues of Nova (Link). Well, since then Dr Evelyn Necker appears to have become very much a permanent fixture at Project PEGASUS. So much so that she actually made appearances in TWO books this month. Firstly in CB Cebulski’s War of Kings: Darkhawk #1:



Darkhawk, you see, is also on the payroll at PEGASUS - in Security. Necker’s appearance is quite brief, granted, but it’s great to see her presence noted outside of Nova, by another writer. All good exposure.

Even if it doesn’t end so well…



Evelyn gets a far better run out in Abnett and Lanning’s Nova #22, where she is slightly more central to the plot. For those who are unaware, at the end of #21 the Worldmind decided that Richard Rider was mentally unfit to be Nova Prime after he disagreed with some of its quirkier decisions, of late, and took away his powers. This issue finds Richard consulting the powers that be at Project PEGASUS to give him the once over, and verify whether or not the Worldmind has a point.



Robbie Rider, Richie’s younger brother, was recently made a Nova Centurion himself, during one of the Worldmind’s more dubious decisions, and Richie wants to talk to him. But without the Worldmind intervening. How do you convince Robbie to come out of range of the Worldmind? How about one of the oldest tricks in the book?



I think it great that Necker seems to be becoming a regular character in the MU. There are so many Marvel UK characters who have been lying around unused for just too long. And of course the ceaseless fan in me will always hope that her continued presence will some day lead to a Death’s Head II revival.

Hey, I can dream… ;D

Abnett and Lanning continue to do a great job with this book. I actually picked up the hardcover of the first year of Nova, a couple of weeks ago, to fill in the gaps of issues I missed.

On the subject of Dan Abnett, the man himself made a very interesting comment on his Blog last week.

“Speaking of trades, I hear the first nine or so issues of the Knights of Pendragon, an eco-superhero-Arthurian comic from the early nineties, is also about to be collected. Co-created with John Tomlinson, Steve White and Gary Erskine, and co-written by me and John, it remains a high water mark in my output, and is one of the first major things I did. People still ask me about the series.”

And with good reason. That first volume was a particularly strong run. The interweaving of myth and legend with a modern (Well, late 80s/early 90s) setting was great. The image of Adam Crown, this waster guy from East London, propelled towards becoming a new Arthur by magical intervention, that scrap metal sword rising from a canal, travelling across reservoirs rather than lakes – it was all a really strong urban spin on an old legend. I’m amazed that it hasn’t been revived in some form or other, by now.

A collection is very long overdue. Me Abnett does not say who is collecting it, but following on fro Dragon’s Claws I think there’s a fair chance it’s likely to be Panini. I’ll let you know more as soon as I do.

Thanks to Mark Jarvis for Twittering me that link to Dan’s Blog last week. I had not been there before. Some interesting information there about Abnett’s Marvel work, and his other projects (such as his Warhammer 40K work). Certainly worth a look in.

You can find it here: http://theprimaryclone.blogspot.com/

And while we’re on the subject of other Blogs you might like to visit, I recently discovered Lew Stringer’s blog ‘Blimey! It’s another Blog about Comics!’. Many of you will remember Lew as the guy behind the best of Marvel’s back up comic strips, up until the turn of the 90s. He was responsible for Robo-Capers and the frankly legendary Combat Colin. I miss those strips a heck of a lot. Forget Marvel US’s Mini Marvels, Lew was drawing strips full of in-jokes, satire and fun, set within Marvel’s context, decades before those strips were showing up in US titles. I still have a large number of Combat Colin strips filed away in a folder, at home, saved when my parents insisted I chucked out most of my Transformers comics, when I was in my teens (Heresy, I know!).

Lew’s blog deals with pretty much everything to do with British published comics, old and new. It’s got some really good articles on books from the past, and some really nice insights from a guy who’s worked on so many different titles, and comics’ brands. It’s updated fairly regularly, and I’d strongly recommend a visit to anybody who’s big on nostalgia or just wants to see some examples of how different British comics are to those of our American cousins.

Have a look: http://lewstringer.blogspot.com/

Right. Well that’s almost it for this update, However, as many of will already be aware tomorrow (or Thursday here in the UK) a certain British set title comes out from Marvel Comics.

That’s right, it’s CAP WEDNESDAY, again!

And to celebrate the publishing of Captain Britain & MI13 #11 I’ve done another banner to tie in with its release. Once again, there’s a standard sized and a smaller variant (For sites which restrict size a little more). This one’s intended a little bit as a ‘Previously On…’ and as I can’t post animated Gifs on hear easily, here’s a breakdown of what it looks like.


And here’s where you can find them (Feel free to spread the word in your forum signatures):

Standard Size:Here

And

Smaller Size: Here

This issue is the first part proper of the Vampire State arc, in which Dracula has decided to claim Britain as a homeland for ‘his people’.
You know. His people with sharp teeth and pale skin, who don’t get out a lot in the hours of daylight? Yeah. Bad news for the general populace of Great Britain. Last issue Vlad Tepes (To use his real name) launched his assault by trying to eliminate the members of MI13, with a couple of co-ordinated missile attacks. Not just any missiles though. VAMPIRE missiles.

I kid you not. :D

#11 picks up right where #10 left off. If you’re interested in seeing some preview pages you can find them here:

Captain Britain & Mi13 #11 preview at CBR

Now, GO BUY IT!

That’s all, for now. As always, if you have any questions, thoughts or comments, feel free to add them to this post or send me an email at theswordisdrawn@googlemail.com . I’m always glad to hear from a fellow fan.

You can also follow me on Twitter, as this seems to be the done thing now.
There’s a link on the right hand side of the page.

Until the next time…

Mark
(Sword)

Tuesday, 12 August 2008

Just a bit of quick news...

I've really got to get some shut-eye, but I felt that I almost HAD to get this one posted up before I dozed off. As reported this afternoon by Rich Johnston, over at CBR's Lying in the Gutters column ( http://www.comicbookresources.com/?page=article&id=17669 ) it would seem that those lovely people over at Panini UK are going to release a Dragon's Claws tpb this October.

Fantastic news!

Dragon's Claws is a real wasted property in Marvel's hands, right now. Yes, it wasn't set in the present day Marvel Universe, and it was pretty much an entity out on its own (Bar crossing over with Death's Head of course) but Furman and Senior did a really excellent job on this one, and a collection is long overdue.

You can obviously pre-order it from a number of places, but here (For reference) is a link to the page on Amazon's site:

http://www.amazon.co.uk/Dragons-Claws-0-Furman/dp/1905239998/ref=sr_1_1?ie=UTF8&s=books&qid=1218499070&sr=1-1

Wednesday, 9 April 2008

Death's Head and High Noon Tex.

I recently received an email from a pleasant chap by the name of Thomas West, who asked me the following question.

"Hi. Can settle an argument for me? You know Death's Head? The first one from Transformers? I heard that Marvel UK put him in an extra strip in some of their books, just to make sure he wasn't owned by Transformers rather than them. Is this true?"

In short, yes. That pretty much was the case. Death's Head was created for Marvel UK by Simon Furman and Geoff Senior. Furman wanted to use the character in the stories he was doing for the UK Transformers comic. But the problem there was that if Death's Head made his first official appearance in the pages of Transformers the from a copyright point of view he would be considered part of the Transformers universe, first and foremost. That would mean that as soon as Marvel ended it's license agreement with Transformers Marvel UK would no longer be able to use the character (Or Marvel in general for that matter). Furthermore, any other company who picked it up, such as Dreamwave or IDW now, could potentially use the character in their own stories, as part of owning the license.

Obviously, Marvel UK did not want this to happen.

And so in 1987 Marvel UK put out a one page strip called "High Noon Tex" in the back of some of its books. This story was published before Death's Head's Transformers debut, and therefore stamped Marvel UK's possession on the character for continued use. And for those curious over what the strip looked like, well, here it is:



Death's Head was a character who pretty much travelled across every Marvel UK title that would have him, in both his true incarnations. Yes, he spent some time in Transformers. But he also spent some time in Doctor Who, as well. And while. if he were to reappear in modern Marvel Comics, he wouldn't be able to legally refer to those experiences in panel, they very much DID happen. His original incarnation also turned up Fantastic Four #338 (By Walter Simonsen) and Sensational She-Hulk (Vol.2) #24 (By Simon Furman & Bryan Hitch). He really was the ultimate intergalactic, time and space hopping, hitch-hiker of the Marvel Universe playing a role kind of similar, in some respects, to Lobo in DC Comics.

He is sorely missed, and long overdue a revival. If only as a guest appearance somewhere would still be great. Is a cameo in the upcoming Guardians of the Galaxy relaunch, too much to ask?

In way of a bonus, while I was digging through my old books to find High Noon Tex I also found the great Godilux advert for Death's Head's own series. Enjoy.



Keep those emails and comments coming, folks! I'm slowly getting back up to speed.