Showing posts with label Marvel UK A to Z. Show all posts
Showing posts with label Marvel UK A to Z. Show all posts

Sunday, 26 July 2015

From the Archive: It Came From Darkmoor's Marvel UK A to Z : B is for...

Returning after a slight delay this the second in a series republishing earlier entries from the It Came From Darkmoor archives.

The following article was first posted in July 2009. There has been one piece of additional information added (as you'll see when you reach the end of the article) and a little bit of reformatting to suit the modern shape of the blog, but otherwise it appears here pretty much as it did back then. Once again, I hope you enjoy it.



Welcome to the second of It Came from Darkmoor's Marvel UK A to Z columns. The intention of this column is to spotlight a few of the more obscure Marvel UK characters - the kind who are probably less likely to come up in conversation or whose overall contribution to Marvel UK has not yet been acknowledged by this Blog.

We continue, as I guess would only be sensible, with the letter B. And in this alphabetical series...



'B' is for BLOODSEED







Lysander Bloodseed, in fact. 

Or if not in fact then certainly at least in theory.

Bloodseed was the brain-child of former Marvel UK E-i-C Paul Neary, Death's Head II artist Liam Sharp, and Motormouth artist Cam Smith. As with other titles such as Mortigan Goth (A link for those with shorter memories) and Dances with Demons, Bloodseed was created for the somewhat short-lived Marvel UK sub-imprint of titles which went under the banner of Marvel Frontier Comics - a more adult orientated line of books which were more akin to DC's Vertigo line than to standard superhero comics. 

The aesthetic for Bloodseed is quite an interesting one. On the surface it does very much seem like a European-styled Fantasy comic, with the familiar presence of swords, monsters and magic. 






Bloodseed fights with a sword, he has magical healing powers, he battles fantasy monsters and giant ape-like brutes. You can see elements of Tarzan here, of Conan, of Marvel's Ka-Zar, pr other pulp adventure characters of this kind. It would not be out of place in a European fantasy anthlogy, and I do mean that in a positive manner.

It's also likewise relatively European in its attitude towards nudity. 

Yes, Bloodseed is fighting naked on that page, if that's something which you felt needed clarifying. 

There is also a heck of a lot female nudity throughout the book - something which would certainly not escape the attention of a teenager (and certainly didn't with this one) reading this book back in 1993. There are female naughty bits EVERYwhere! And frequently with very little attempt to cover them up.

But, by and large, it's not purely for titillation. It is plot driven nudity for the most part. When we join Lysander Bloodseed's story he is dragging his naked and only semi-conscious self through the snowy wastes of a planet he later discovers to be named Themax-2, trying to remember how it is that he came to be here, and perhaps more importantly who the hell he actually is. 






The answer to which (to his current mind, anyway) is that he is Lysander, Warrior-King of Elyssium, a Kingdom in the land of Utopia. Elyssium is a Warrior Nation, whose landscape looks like the Hanging Gardens of Babylon, where the men are built like Tarzan and the women built like porn-stars - all of whom appear to hold a fundamental distaste for the wearing of clothing. He rules as King, and Elyssa - a busty amazon type with flowing black hair and seemingly just as much distaste for clothing as the rest of her kin - is the loyal consort at his side. His one true love.

Sound just a little too good to be true? 

Well, you'd not be wrong. 

And how can he be King of Elyssium when a woman named Elyssa is also wandering the land, with the same set of memories, also believing herself to be the Queen of Elyssium? In her memories she rules Elyssium, with Lysander as her royal consort. And he's certainly not the Lysander we've already met...






The same memories, but two different people both believing them to be their own. 

The truth of course, is that these are all false memories - implanted visions of a past that seemingly never was. Despite seeming like a fantasy world, it is at least partly a façade. A fair amount of what Bloodseed has been seeing is revealed to be a holographic computer simulation. Part of a method for both controlling and testing him. 

He's actually the latest in a line of humanoids created by a company called "Gene-Corp" on behalf of an unnamed client. He's not the first, merely the latest in a production line of Bloodseeds, being tested for survival. As was another one-armed Bloodseed who Lysander later encounters, a dead test subject wearing the same armour as him which Elyssa stumbles upon, and in fact Elyssa herself.

Each Bloodseed appears to be 'birthed' out into the world, with these false memories in their head, and placed into a Darwin-esque scenario where they are expected to kill off the other test subjects. Each subject is a peak physical specimen, possessed of the ability to heal others by touch, some kind of telekinesis, and (if they reach the correct point in the program) they will be given a 'Helmet of Truth' a semi-sentient mask which allows the wearer to discern what is real from hologram. 

Lysander and Elyssa's progress in these trials eventually alerts the attention of Gene-Corp's Chief Engineer, who having convinced Lysander to remove his helmet (unfortunately triggering Elyssa's programming, and setting her trying to kill him) then contacted his client. And that's kind of the twist in this tale. Their client goes by the name of Lord Juno. And he comes from Earth. 

Only he's a dinosaur. A very eloquent, English speaking dinosaur.






Beyond that we know very little more.

Because, unfortunately, two issues complete issues of Bloodseed is pretty much all we got.

What does this all mean? Well that, I guess is purely open to your own interpretation. 

For my own part (and I'd add that this purely conjecture, here) I speculate the following:

Lord Juro can speak. Maybe, just maybe, he is part of some kind of super intelligent/super evolved race of Dinosaurs. From Earth, but who fled Earth just before whatever ice age/meteor strike/catastrophe actually brought about extinction of their lesser evolved kin. 

They used to hunt humans. For sport. And after thousands of years elsewhere in the galaxy they have decided that they missed doing that. That is something they used to enjoy. It's about time they brought that back.

As far as they know though, there are no more humans. They figure them to have been wiped out, along with everything else on Earth. How could anything have survived that ice age/meteorite/catastrophe? 

So as far as they know, that's an avenue they cannot go down.

Juro's people therefore approach Gene-Corp to rectify that. A gene-tailoring company on the other side of the galaxy, capable of growing them some humans to hunt. Selectively bred, peak of their physical condition, humans. Humans designed to give them a challenge.

Themax-2 is the test world for this enterprise. But it's only part of a grander plan. The first step in a much larger scheme. A plan being to return to, and repopulate, the Earth with new genetically engineered subjects just like Bloodseed, and then to use this planet as some kind of messed up dinosaur hunting reserve.

But as I say, that is only conjecture. The way I've thought it through in the past 20+ years.

In reality it's honestly hard to say what the actual plan for Bloodseed was. For all we know Lysander may have been returned to the modern day Marvel Universe? For all we know Elyssa would have killed Lysander and traveled back to Earth herself? Maybe there would even have been some explanation as to what that giant glove/claw Bloodseed is wearing on the cover of #2 was?






Is that a glove? Or is it his actual hand? It's hard to say.

I mean it looks like it could be made of the same materials as the helmet, but what if-?

But I digress.

While I get the feeling that there was actually a longer story planned out for Bloodseed we didn't get to read it. While it was initially planned as a four issue limited series it was cut down to just 2 issues by the time it saw print. Two issues and (what seemed to be) a Prologue tale in the Marvel Frontier Comics Special

All of the Frontier titles came out during the tail end days of Marvel UK, shortly before the US office closed things down and sold off parts of the business elsewhere. 

The promised second series never came to pass.

Bloodseed remains a character and a series which still holds a certain amount of interest for me. Compared to Liam Sharp's later work some of the artwork here does seem a little rough around the edges in places, but I do see some early roots of a later style in play here. And conceptually I do believe there was a decent story being taken through its paces in the two issues we got. There aren't enough series with these kind of European fantasy elements at Marvel these days. It's a great shame that we never got to see how it could have panned out.

Update: If you are curious about Bloodseed - or indeed any of the other Marvel Frontier books - then January 2016 might just be your lucky month. Earlier this week this week, as I sat down to prep this article, I was alerted to the following listing which had turned up on Amazon:


The UK store listing is without a description of the collection. However, on the US store page the following blurb on display:

A forgotten gem from Marvel UK is uncovered, dusted off and collected in its entirety for the first time! Who is Bloodseed? And what is his mission in a barbarian world of talking pterodactyls, giant lizards and remnants of technology from a long-lost civilization? Something is haunting author Sam Wantling's dreams - could he be a Child of the Voyager? Will James Owl survive his dance with demons when he discovers that he is the heir to a great Native American spirit?
COLLECTING: CHILDREN OF THE VOYAGER 1-4, DANCES WITH DEMONS 1-4, MORTIGAN GOTH: IMMORTALIS 1-4, BLOODSEED 1-2, MARVEL FRONTIER COMICS UNLIMITED 1

That's right. A complete collection of all the books which were put out under the banner of Marvel Frontier Comics. An unexpected release to have found its way into the wilds. Not least because this does actually appear to be a release from Marvel in the US. Most previous UK material has been reprinted by Panini Comics here in the UK.

I would definitely recommend this collection, based on that promised content. Having reread all of the Frontier books a few years back I can confirm that they actually have aged pretty well. These were the books which seemed to be defining the direction in which Marvel UK was trying to go in those later days for the Imprint. Doing something a little different. Darker and more serious tales within the Marvel Universe.

It's only a shame that it had to end when and where it did. 


'B' could also have stood for: 

The Battletide: A demonic gestalt entity, powered by the souls of fallen warriors, which tore its way through the universe. As seen in the mini series Battletide and Battletide II.

The Bane: The big, bad, adversary of the Knights of Pendragon and age old nemesis of the Green Knight. 

The Bacillicons: Digital analogues of human mercenaries brought into play to hunt down and kill Digitek, in the pages of his limited series.



Sunday, 26 April 2015

From the Archive: It Came From Darkmoor's Marvel UK A to Z : A is for...

As promised earlier in the year this is the first in a series republishing earlier entries from the It Came From Darkmoor archives.

The following article was first posted in June 2009. There have been a few minor updates which needed to be included since its first posting, a little necessary reformatting and a couple of hyperlinks added, but otherwise it appears here much as it did back then. I shall be reposting one of the A-Z pieces each month until we catch up to a point where I can continue this series anew. I hope you enjoy it.



Welcome to the first of It Came from Darkmoor's Marvel UK A to Z columns. The intention of this column is to spotlight a few of the more obscure characters from Marvel UK's annals - the kind who are probably less likely to come up in conversation or whose overall contribution to Marvel UK has not yet been acknowledged by this Blog.

We begin, as is frankly logical, with the letter 'A', and in my alphabetical world...



'A' is for APESLAYER.






Let's go back to 1975, a year before Captain Britain became the first truly acknowledged UK originated Marvel material. This was the 70s and Planet of the Apes was huge, having turned into a global fan phenomenon which had inevitably sparked a licensing deal in the USA between Marvel and 20th Century Fox for a Planet of the Apes comic. It was a Black and White comic, which was later reprinted in colour, and ran to 29 issues between 1974 and 1977, adapting the movies and also adding new material.

At roughly the same time Planet of the Apes weekly began reprinting these stories in the UK (It should be pointed out that the preferred format for Comics in the UK has always been weekly, or fortnightly. In the 70s especially the expectation for weekly content was a given. So don't you go telling ME DC were doing something new and groundbreaking with 52! :) ). But of course reprinting material weekly, when it was being originated monthly, threw out an eventual but inevitable problem.

There wasn't enough US material being published quick enough to meet UK demand.

And so it was that in March 1975, with #23, a new story set in the the Planet of the Apes universe began, featuring a new human character called APESLAYER.






The Plot and Concept of this new story is attributed to Marvel Legend Roy Thomas, with pencils attributed to Neal Adams and in later issues to Howard Chaykin. The script attributed to Gerry Conway. All well-recognised and respected creators for Marvel, I'm sure you'd agree.




Which might be reason to wonder quite as to how or why they came to be writing such an off-shoot story for a licensed comic from Marvel UK.

Apeslayer was very much part of a world where the Apes ruled, where he had been brought up a human slave, forced to fight in arenas for the amusement of the simian rulers of Earth, only to later free himself and make it his mission to wage war on his oppressors...

Pause there a moment. Does any of this sound a little familiar? 

A little like another Roy Thomas concept from the 70s, maybe? 

In fact, doesn't  Apeslayer himself bear a certain physical similarity to Roy Thomas' Killraven - "Warrior of the Worlds" from Amazing Adventures?






Well, there might be a reason for that. 

Because he kind of... IS Killraven. 

In a truly bizarre turn of events, in order to fill in the gaps while waiting for new American material, the fledgling UK arm of Marvel comics literally decided to turn Killraven into Apeslayer. To re-purpose existing Killraven material as new stories to use as part of their Planet of the Apes series. 

And the changes between the two were pretty much purely cosmetic - changing the length of Apeslayer's hair, removing Killraven's headband and armlets, changing Martians for Apes. 

It's still Neal Adams' art. Just... altered. To fit the new purpose. 

A few name changes, to mask the swap, and that was it. 

Seriously. 

A few years ago, back when Paul Cornell's Wisdom series re-introduced comics readers to Jonathan and Maureen Raven, some posters over a comic book resources were unaware of the connection to Killraven. I posted up the following images as reference.




Compare those now to the two equivalent Apeslayer pages from Planet of the Apes.




Jonathan 'Killraven' Raven becomes Jonathan 'Apeslayer' Dozer. Maureen Raven becomes Maureen Dozer.

Truly bizarre. And the length of Apeslayer's hair does not actually match between Covers and the stories themselves. Or indeed the spelling of his name. All very strange. The same story, with the barest of changes made. 

Notice that some supporting cast members do not even get their name changed, they remain the same - Anne Carver remains Anne Carver. 

How the decision was made to pass off the altered strip as part of the Planet of the Apes publication is certainly a curious one. To my knowledge Killraven had not been reprinted in the UK at that time, so it's not implausible the editors thought that nobody would notice the similarities. But it certainly raised a few eyebrows among UK readers a few years back, when Marvel printed an Essential Killraven volume - to find themselves greeted by a rather curious feeling of deja vu.

I've often wondered how Thomas, Adams et all felt about their work having been re-purposed in this fashion. Whether they knew about it, or whether they've been told about it in the years since. It seems such an unethical thing to have done, but I suppose Killraven was Work for Hire comics work. If Marvel US were happy with it happening I doubt they'd have had much in the way comeback on it.

Ethics aside - What are the chances of an Apeslayer revival? 

Not... very likely. :)

He'll be covered as a property under the Planet of the Apes license. As of 2014 that comics license was in the hands of BOOM! Studios. By rights, I suppose, they could use the character. They haven't. And in all honesty, I doubt that they will. BOOM! are focusing primarily on books relating to the 2011 reboot of the Apes franchise, which began with the rather brilliant Rise of the Planet of the Apes.

While it is not implausible that we might see the mighty Jonathan Dozer turn up in this rebooted continuity? I'm not going to hold my breath on that. :)

For those wanting to read more of Marvel UK's Planet of the Apes title they are actually available online, in pdf format, through Hunter's Planet of the Apes Archive - which you may find worth a visit.


'A' could also have stood for: 

The Anti-Being: Chaos Bringing enemy of Dark Angel and Death's Head II, and one giant mass of negative energy.

Afrikaa: Mohannda-based Black Axe and Black Panther ally, powered by the Heart of Africa.

Abslom Daak - Dalek Slayer: Doctor Who character, who's purpose in life should be rather clear from his title.



Monday, 13 July 2009

It Came from Darkmoor's Marvel UK A to Z : C is for...

Welcome to the second of It Came from Darkmoor's Marvel UK A to Z columns. The intention of this column is to spotlight a few of the more obscure Marvel UK characters - the kind who are probably less likely to come up in conversation or whose overall contribution to Marvel UK has not yet been acknowledged by this Blog.

We continue, as would only be sensible, with the letter C.

So far we've had a doppelgänger hero from the 70s, and an adult-orientated fantasy character from the 90s. Our next entry shifts tone a little. The guy in question began his life in the 1980s. And despite never having headlined his own title he actually appeared in print continuously (And on a weekly basis) for far longer than many of Marvel UK's more recognisable characters...

In our alphabetical series...

C is for COMBAT COLIN!




Combat Colin was the creation of Lew Stringer, who during the 80s was responsible for creating half (and later full) page comic strips for back-up pages in Marvel UK's licensed comic books. Forget the state-side 'Mini Marvels', or other tiny strips which occasionally turn up on modern Marvel letters pages.

Lew was doing these 20 years ago. And arguably better than they're done today.

These would usually appear inside the back cover, sharing half a page with the 'next issue...' panel or possibly somewhere in the middle of the issue. A light-hearted, but often quite clever mix of concepts and puns, which were tailored to match the title they were appearing in. Stringer had created Robo-Capers for the weekly Transformers comic. A strip which varied in content somewhat across its life.

It's chief focus was on the Alien King, King No-Nose, and his Robot inventor. But every once in a while it would do stand-alone strips such as 'Transformers That Didn't Make The Grade'...


Or explaining editorial changes, such as changing the 'host' of the letters page from Decepticon tape recorder Soundwave to big dumb Dinobot Grimlock.


The strip was incredibly popular, and helped to build up the Marvel UK house-style, which really loved to involve letters pages and other items in a fourth wall breaking manner, in the 80s. And so it was decided that Stringer should create a similar strip for the new Action Force weekly comic.

(NOTE: For any US readers asking themselves "What the hell was 'Action Force'?" perhaps the easiest answer would be to say "It was G.I. Joe". Although that's not strictly true. ACTION FORCE began its life as a spin-off smaller figure line of late 70s big-toy-of-the-moment ACTION MAN. It even had it's own continuity and comic book through another publisher (Battle). Hasbro later bought Action Force and used it as a way of getting G.I. Joe into the UK and Europe. Which was not easy. "G.I." was a non-transferable US Army rank, and meant nothing in Europe. And the phrase 'Average Joe' was an Americanism that certainly hadn't been embraced in Europe in the early 80s. Nevertheless, Hasbro bought the line and integrated it into G.I. Joe, eventually changing the name in the UK and Europe towards the end of its original lifespan.

Perhaps "Officer Cadet Smith" would have been a more suitable translation? Or even "Combat Colin"? But somehow I think Action Force is a bit more dramatic, don't you... ;D

If you want any more info on that, click here: Action Force toy line - Wikipedia)

Combat Colin (Or Colin Doobrey-Smiff, as it was claimed was his actual name) was the result, making his debut in Action Force Weekly #5. Stringer had originally planned to call him 'Dimbo' but Richard Starkings (Editor of Action Force, and often letterer too) suggested 'Combat Colin' as a more lasting name which would not date so quickly. And it was the perfect fit for a comic which reprinted US G.I. Joe strips alongside UK written back-ups.

The character of Colin was one of those odd guys you encounter every once in a while. The kind who are in their mid-thirties into forties, still live with their parents, and collect all kinds of military memorabilia as a hobby.

Collect.

And only collect.

Because, frankly there is NO WAY IN HELL they'd ever be let into the actual British Army. ;D


What a perfect antidote to the very serious strips appearing elsewhere in the book, with references to genuine war campaigns, Vietnam, etc...

Professional military vs military enthusiast.

Combat Colin's initial run started with some quite simple stand-alone half-page strips - building up to the pay-off of a final panel pun. But, as with Robo-Capers, it began to evolve into something a bit more complex. Along the way Colin acquired his side-kick, Semi-Automatic Steve, a short and bearded guy, whose dress sense seemed to have been inspired by Rambo.


Shortly followed by a move towards doing serialised strips, such as the fondly remembered 'One of our Milkmen is Missing' storyline.


Which also debuted Colin's first ongoing villain, Dr Nasty.

Sadly, Action Force weekly came to an end with issue 50. At that point the book went monthly, but this incarnation only lasted 15 issues before cancellation. At which point the US G.I. Joe stories, which had formed the lead story of Acton Force weekly, became the back up story in Transformers weekly.

And Combat Colin came along with them.

This did of course mean that Robo-Capers had to make way (Although, King No-Nose and his inventor did return for a one off crossover later into the run) but on the positive side allowed stringer to broaden Combat Colin's world, and pool of regular characters. Such as Semi-Automatic Steve's landlady, Mrs Frumpy,


Steve and Colin's delightful sometime dates, The Giggly Sisters,


Colin's Agent Roy L.T. Check, Sometime hindrance tabloid ace-reporter Headline Howard and even Combat Kate - Colin's representative for North of England.


And an increasing array of demented and ridiculous supervillains in his Rogues Gallery - from the diminutive Professor Madprof to the alien threat of The Brain.


On occasion some of these characters were even given the run of the strip, that week. Combat Kate had that honour one week, as did the Giggly Sisters, in the form of "The Giggly Sisters' NICE PAGE":


I particularly like the letters column ;)

And as the strip grew so did the page space it was given. Sometimes going into black and white for a while, but moving permanently from a half page at the back of the comic to a full pages in the middle. Serialised strips returned, sometimes growing quite epic in scale. And Colin was given a huge array of "Combat" Weapons, vehicles and Gadgets(Usually branded with a smiley face, with it's tongue sticking out) which he seemed to be able to produce at a moment's notice.


Many of these were later explained as being produced from his 'Combat Trousers' a gift from a visiting alien, and containing 'deep pockets', like a veritable pocket universe of storage space:


The stories also branched out in subject matter, exploring slightly bigger concepts, from obsessed criminal fans, to evil robot doppelgängers, to adventures through space, and time.

Entire stories were dedicated to such bizarre concepts as "Combat Rhyming Slang"


Which came complete with a phrase-list at the start of the story. Or "Combat Code" complete with decoder. Combat Code was, in fact, just a reversed alphabet, but even after the strip in question occasionally you'd come across the odd caption in 'Code'.


The strip was even used to explain away editorial mistakes...


Combat Colin had found his niche. ;D

And it thrived, toying with sci-fi concepts, superhero concepts, and throwing in pop culture references which doubtless went high above some of its younger reader's heads, but for those teen readers with a little more smarts about them they appreciated them. Nice touches like plastering over exploding brains with a picture of Kylie Minogue, or an editorial note in a 1960s flashback telling kids that

"*Note: This tale is set in the 1960's, when 75% of Boys were named 'Ringo,' after the great Pop Legend, Ringo McBingo. (Honest! Ask your parents!)"

And I'd love to know just how many young kids genuinely DID that!

But by far the biggest Pop Culture reference came in the form of the multi part storyline "Prisoners of the Place of No Return," in which Colin and Steve found themselves stuck in what looked suspiciously like (i.e. it WAS) the small village from TV series The Prisoner. Trapped there, at the will of all their many villains, amongst a number of Stringer's other characters who had been 'Retired' to this place.


Readers of Image Comics' Elephantmen will recognise Brickman on the end there...

The likelihood of any of the kids reading it being aware that the whole story was a Prisoner parody (Or of their having ever heard of The Prisoner, for that matter) were pretty slim. But that's certainly what it was. And a pretty good homage, too.

(And if anybody feels that they want to get hold of that story, it was collected a few years ago in Lew Stringer's "Brickman Begins!" (ISBN-10: 0974056782) where it was renamed as "Village of the Doomed".


Of course, back in the late 1980s Transformers was Marvel UK's flagship title. And while I'm not going to claim that Combat Colin was indispensable to the title, I do feel that from that one page weekly strip it actually did play a quite important part in the reinforcing of the Marvel UK tone and house feel. No matter how daft the stories were they were part OF a bigger picture.


Not just in cod publicity like that, though. It helped give this bizarre collection of licensed property books a common connection. And indeed a common connection with the greater Marvel Universe as well.

This was the late 80s. Marvel UK weren't reprinting US Superhero books with that great an ongoing regularity. But here in Combat Colin you were having occasional glimpses of Spider-man, references to other Marvel Heroes (Even if it was through analogue characters like Dr Peter Peculiar), mentions of Drawing Comics the Marvel Way and the like. At this time Combat Colin really WAS an ambassador for Marvel.

Heck, he even went up against Doctor Doom!


It was all very inclusive, as the Marvel UK line was in general, at that point.

And you never knew which Marvel character would make an appearance at the Combat Christmas Party:


Got to love the Hulk in that final panel! ;D

Sadly, much as though many people out there felt that no Marvel UK book was complete without a Lew Stringer strip in there, things changed in 1991. Marvel UK was wanting to push towards a more serious house style - the kind which could compete with 2000 AD. And as part of those inner changes Humour strips were dropped. Which I have always felt was an incredible shame.

That was the end of Combat Colin. At Marvel, anyway.

Marvel UK did at least transfer the rights of Combat Colin, and his direct circle of characters, to Stringer. Sure, the stuff tied directly into Transformers and Marvel is always going to be tied to Hasbro or Marvel. But it is through that creator ownership that the character has survived.

Earlier I mentioned Richard Starkings' Elephantmen, which is put out by Image comics. Well, through the Brickman strip which Lew Stringer has been doing as a back-up strip in that book Combat Colin has been resurrected.

As Lew Stringer recently announced on his own Blog:

COMBAT COLIN IS BRICKMAN!

I would recommend that Blog, too. Stringer does a huge amount of work discussing British Comics, in all their forms, as well as posting up photos from Conventions in the 80s and the like. It's a great site to visit.

As for Combat Colin? I will always see him as an ambassador for a better time in comics. A time where Transformers, Death's Head, Knights of Pendragon and Doctor Who could all be mentioned in the same sentence as Captain America, Spider-man and the X-Men. They were all part of the same family, and Colin was some kind of older brother who liked to remind us all of the importance of the Marvel family, whilst subtly undermining it with a truly terrible pun or two.

I'd love to see a proper collection done some day. But due to its ties with Hasbro's products and Marvel's characters I doubt we'll ever see a complete collection see the light of day.

I'm very glad that he's still around, and I'm glad Lew Stringer is still producing new material, too.

It's Marvel's loss. It really is.


'C' could also have stood for:

Captain Britain - But that would have been far too obvious...

I'd rather go with his alternates:

Captain Granbretan - From Captain Britain (Vol.2) #13, and written by Grant Morrison.

or

Captain Airstrip One - Created by Alan Moore, from an Earth similar to George Orwell's "1984" (You can read the solo story Moore wrote for him Here.)

Charnel - An alternative Baron Strucker merged with the body of the original Death's Head, into a deadly cyber-organic magic entity.

Adam Crown - The spirit of King Arthur reborn in the body of teenage waster. Leading light of the Knights of Pendragon.



Next Week: Well, 'D' surprisingly... ;D